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Chapters (63)
  1. Cover
  2. Praise for All About Us
  3. About the Author
  4. Note to Readers
  5. Dedication
  6. Prologue
  7. Chapter One
  8. Chapter Two
  9. Chapter Three
  10. Chapter Four
  11. Chapter Five
  12. Chapter Six
  13. Chapter Seven
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. Chapter Eighteen
  25. Chapter Nineteen
  26. Chapter Twenty
  27. Chapter Twenty-One
  28. Chapter Twenty-Two
  29. Chapter Twenty-Three
  30. Chapter Twenty-Four
  31. Chapter Twenty-Five
  32. Chapter Twenty-Six
  33. Chapter Twenty-Seven
  34. Chapter Twenty-Eight
  35. Chapter Twenty-Nine
  36. Chapter Thirty
  37. Chapter Thirty-One
  38. Chapter Thirty-Two
  39. Chapter Thirty-Three
  40. Chapter Thirty-Four
  41. Chapter Thirty-Five
  42. Chapter Thirty-Six
  43. Chapter Thirty-Seven
  44. Chapter Thirty-Eight
  45. Chapter Thirty-Nine
  46. Chapter Forty
  47. Chapter Forty-One
  48. Chapter Forty-Two
  49. Chapter Forty-Three
  50. Chapter Forty-Four
  51. Chapter Forty-Five
  52. Chapter Forty-Six
  53. Chapter Forty-Seven
  54. Chapter Forty-Eight
  55. Chapter Forty-Nine
  56. Chapter Fifty
  57. Epilogue
  58. Acknowledgements
  59. Author Q&A with Tom Ellen
  60. Extract
  61. Will
  62. Will
  63. About the Publisher

Even after six years, I can’t help fighting the urge to say ‘I’m sorry’ in response to a comment like this. The first thing we were taught in training was not to express any opinion or judgement whatsoever when a caller says something along these lines. It makes sense, I guess: somebody calls up and tells you their mum has just died, you say, ‘Oh, I’m sorry to hear that,’ and then they tell you that their mum abused them or neglected them or abandoned them. By expressing sadness or regret, you’re making the caller feel worse about the fact that they may have mixed emotions about their mother’s death.

Basically, we’re supposed to stay neutral until we have all the information. Which, in practice, is much harder than it sounds. Still, I manage to wrestle down my natural human instinct to offer condolence and instead say, ‘And how did that make you feel?’

I hear her take a breath as she considers this. ‘I felt awful because I’d hurt him, and he didn’t deserve to be hurt. And I felt bad because my mum and my sister and all my friends thought I was insane to break off an engagement aged thirty-three. But despite all that, I felt glad that I didn’t have to marry him.’

I nod. ‘It sounds like the right decision, then?’

‘Maybe. Sometimes it doesn’t feel like the right decision.’

‘How did you meet?’

Not sure where that came from. I feel a giddy – and slightly pathetic – thrill at having asked a direct question, which strictly speaking we’re not supposed to do on this line. We’re meant to stick to ‘open-ended’ questions – ‘How did that make you feel?’, ‘Can you tell me more about that?’ – rather than digging into specific facts or details. I suddenly hope Carole, Green Shoots’ director, doesn’t monitor these calls, or I’m sure to be in for a strongly worded email.

Either way, Pia doesn’t seem to mind.

‘We met on Tinder’, she says, inflating the last word with about six heavily-sighed Ns. ‘I know, right – how original. But I liked him straight away. And we were good together, I think. He made me laugh and he was kind, and – honestly – when my dad died last year, he was the one who kept me from falling apart completely.’

I swallow another ‘I’m sorry’.