Back After the War
Chapters (74)
  1. Cover
  2. Praise
  3. About the Author
  4. Also by Anita Frank
  5. Note to Readers
  6. Dedication
  7. Part One
  8. Chapter One
  9. Chapter Two
  10. Chapter Three
  11. Chapter Four
  12. Chapter Five
  13. Chapter Six
  14. Chapter Seven
  15. Chapter Eight
  16. Chapter Nine
  17. Chapter Ten
  18. Chapter Eleven
  19. Chapter Twelve
  20. Chapter Thirteen
  21. Chapter Fourteen
  22. Chapter Fifteen
  23. Chapter Sixteen
  24. Chapter Seventeen
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Chapter Twenty-One
  29. Chapter Twenty-Two
  30. Chapter Twenty-Three
  31. Chapter Twenty-Four
  32. Chapter Twenty-Five
  33. Chapter Twenty-Six
  34. Chapter Twenty-Seven
  35. Chapter Twenty-Eight
  36. Chapter Twenty-Nine
  37. Chapter Thirty
  38. Chapter Thirty-One
  39. Chapter Thirty-Two
  40. Chapter Thirty-Three
  41. Chapter Thirty-Four
  42. Chapter Thirty-Five
  43. Chapter Thirty-Six
  44. Chapter Thirty-Seven
  45. Chapter Thirty-Eight
  46. Chapter Thirty-Nine
  47. Chapter Forty
  48. Part Two
  49. Chapter Forty-One
  50. Chapter Forty-Two
  51. Chapter Forty-Three
  52. Chapter Forty-Four
  53. Chapter Forty-Five
  54. Chapter Forty-Six
  55. Chapter Forty-Seven
  56. Chapter Forty-Eight
  57. Chapter Forty-Nine
  58. Chapter Fifty
  59. Chapter Fifty-One
  60. Chapter Fifty-Two
  61. Chapter Fifty-Three
  62. Chapter Fifty-Four
  63. Chapter Fifty-Five
  64. Chapter Fifty-Six
  65. Chapter Fifty-Seven
  66. Chapter Fifty-Eight
  67. Chapter Fifty-Nine
  68. Chapter Sixty
  69. Acknowledgements
  70. Extract
  71. Chapter One
  72. Chapter Two
  73. Chapter Three
  74. About the Publisher

‘He’s blind drunk. He’s hardly honouring any memory getting into a state like that.’

‘But he doesn’t drink to remember …’ Ted’s stare drills through the gloom. ‘He drinks to forget. Ah, you can sit there all superior. You’ve no idea what grief does to a man.’

‘Don’t presume to know me. You don’t know me at all.’

The car’s wan headlights fall on the garden wall of Ted’s farmhouse. Jack pulls on the handbrake, but leaves the engine ticking over.

‘You should get Jim home, I’ll be all right to go and fetch Gwen,’ Ted tells him.

‘No. You’re here now and I’m nearly at the Hall. Go in and get some sleep.’

The passenger door opens. Ted hesitates.

‘I would have seen him right. She could have trusted me.’

The door slams before Jack has a chance to respond. Ted’s hunched figure is bathed in gold as he plunges through the car’s twin beams, but he has been swallowed by darkness long before he reaches the house. On the back seat, Jim lets rip a loud snore. Jack puts the car in gear and pulls away.

It is a miracle he finds Netley Hall. He would have been hard-pressed to find it in daylight – he has only passed its pillared entrance a couple of times at best. He misses it initially and slams on the brakes with such force that Jim is almost projected into the footwells. The farmer stirs enough to right himself, mumbling incomprehensibly, before drifting back to sleep. Jack stretches his arm around the back of the passenger seat and reverses up the road. He peers up at the imposing wrought-iron gates, changes gear, and directs the car up the drive.

The house extends before him, lit up like a Christmas tree. It seems at first that every window is an open gleaming eye, but as he draws nearer he sees that some are indeed shuttered to the world. The vast gravelled forecourt is crammed with parked cars and he advances slowly until he finds a space, poking Jim’s modest Morris Eight between two stately Rolls-Royces.

Turning off the engine, he sits in the darkness looking up through the small windscreen at the impressive mansion.

‘Don’t worry, Jim, you stay here. I’ll find her,’ he mutters. The sleeping farmer merely snores in response.

It is surprisingly cold and he fights the urge to flick up his collar and huddle into his cheap jacket as he might have done walking the terraced streets at home. Instead, he pushes back his shoulders and braces himself against the discomfort of the cutting chill, buttoning up his jacket so it looks of a better cut than it is. Walking with more confidence than he feels, he approaches the imposing black doors at the centre of the house.