Back After the War
Chapters (74)
  1. Cover
  2. Praise
  3. About the Author
  4. Also by Anita Frank
  5. Note to Readers
  6. Dedication
  7. Part One
  8. Chapter One
  9. Chapter Two
  10. Chapter Three
  11. Chapter Four
  12. Chapter Five
  13. Chapter Six
  14. Chapter Seven
  15. Chapter Eight
  16. Chapter Nine
  17. Chapter Ten
  18. Chapter Eleven
  19. Chapter Twelve
  20. Chapter Thirteen
  21. Chapter Fourteen
  22. Chapter Fifteen
  23. Chapter Sixteen
  24. Chapter Seventeen
  25. Chapter Eighteen
  26. Chapter Nineteen
  27. Chapter Twenty
  28. Chapter Twenty-One
  29. Chapter Twenty-Two
  30. Chapter Twenty-Three
  31. Chapter Twenty-Four
  32. Chapter Twenty-Five
  33. Chapter Twenty-Six
  34. Chapter Twenty-Seven
  35. Chapter Twenty-Eight
  36. Chapter Twenty-Nine
  37. Chapter Thirty
  38. Chapter Thirty-One
  39. Chapter Thirty-Two
  40. Chapter Thirty-Three
  41. Chapter Thirty-Four
  42. Chapter Thirty-Five
  43. Chapter Thirty-Six
  44. Chapter Thirty-Seven
  45. Chapter Thirty-Eight
  46. Chapter Thirty-Nine
  47. Chapter Forty
  48. Part Two
  49. Chapter Forty-One
  50. Chapter Forty-Two
  51. Chapter Forty-Three
  52. Chapter Forty-Four
  53. Chapter Forty-Five
  54. Chapter Forty-Six
  55. Chapter Forty-Seven
  56. Chapter Forty-Eight
  57. Chapter Forty-Nine
  58. Chapter Fifty
  59. Chapter Fifty-One
  60. Chapter Fifty-Two
  61. Chapter Fifty-Three
  62. Chapter Fifty-Four
  63. Chapter Fifty-Five
  64. Chapter Fifty-Six
  65. Chapter Fifty-Seven
  66. Chapter Fifty-Eight
  67. Chapter Fifty-Nine
  68. Chapter Sixty
  69. Acknowledgements
  70. Extract
  71. Chapter One
  72. Chapter Two
  73. Chapter Three
  74. About the Publisher

Jack is tugging out a freshly hacked bramble when they hear the clip-clop of high-stepping horses. He retreats further onto the verge as they appear, tossing their heads, their plumes shivering on the wind. Gwen’s billhook hangs impotently by her side as she watches the hearse roll by – her son’s father taking his final leave.

She pays scant attention to the first limousine as it inches past – until, that is, she sees its passenger. Lady Helen’s face is turned to the window, as if she has no wish to be sitting beside her dead husband’s grieving mother. Her drawn expression expands with surprise as she sees Gwen and for the briefest moment, their eyes meet. A sly curve appears upon her lips, as her black-gloved fingers stray to her cheek which benefits from a discreet covering of make-up. She lifts a single brow and dips her chin as the car slides past. Gwen watches her go, her heart beating faster, fuelled by the suspicion that Helen Allingham has just delivered a most terrible admission.

Gwen suggests they all visit Ted’s grave that evening. They do not encounter a single soul as they make their way through the village and by the time they cross under the covered lychgate into the churchyard the sun is sinking low on the horizon.

They pay no attention to the raised stone mausoleum, freshly covered with a multitude of wreaths in colours that jar with the fading season. Gwen grips Tom’s hand a little tighter as they pass by. She is reassured by the light touch of Jack’s fingers on the small of her back.

Ted’s grave is located to the side of the church. The headstone is not new; it already bears the names of his wife and son, their chiselled edges weathered, while Ted’s is starkly defined. The flowers from the simple funeral service have begun to shed their petals, so Gwen and Muriel clear them away, carrying them in silence to the compost heap under the yew tree, while Jack and Tom lay a bunch of late-flowering phlox picked from the garden in their place. Tom leans against Jack’s leg, his little face solemn. Gwen smooths his blond hair as she returns and rests her hand on his shoulder. She looks again at the layered names on the gravestone and takes comfort from her conviction that the family has been reunited in death.

By the time they walk Muriel home, the night sky has revealed itself. A splinter of moon pierces the thin cloud and rests in a circle of its own light, like a giant cat’s eye spying upon them. They watch Muriel safely in, then carry on through the village, taking advantage of the streetlights, until at last it lies behind them and they are in the lane, dimly lit.