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Contents (79)
  1. Contents
  2. Foreword
  3. Chapter 1
  4. The Letter
  5. Chapter 2
  6. Not from Captain Hastings’ Personal Narrative
  7. Chapter 3
  8. Andover
  9. Chapter 4
  10. Mrs Ascher
  11. Chapter 5
  12. Mary Drower
  13. Chapter 6
  14. The Scene of the Crime
  15. Chapter 7
  16. Mr Partridge and Mr Riddell
  17. Chapter 8
  18. The Second Letter
  19. Chapter 9
  20. The Bexhill-on-Sea Murder
  21. Chapter 10
  22. The Barnards
  23. Chapter 11
  24. Megan Barnard
  25. Chapter 12
  26. Donald Fraser
  27. Chapter 13
  28. A Conference
  29. Chapter 14
  30. The Third Letter
  31. Chapter 15
  32. Sir Carmichael Clarke
  33. Chapter 16
  34. Not from Captain Hastings’ Personal Narrative
  35. Chapter 17
  36. Marking Time
  37. Chapter 18
  38. Poirot Makes a Speech
  39. Chapter 19
  40. By Way of Sweden
  41. Chapter 20
  42. Lady Clarke
  43. Chapter 21
  44. Description of a Murderer
  45. Chapter 22
  46. Not from Captain Hastings’ Personal Narrative
  47. Chapter 23
  48. September 11th. Doncaster
  49. Chapter 24
  50. Not from Captain Hastings’ Personal Narrative
  51. Chapter 25
  52. Not from Captain Hastings’ Personal Narrative
  53. Chapter 26
  54. Not from Captain Hastings’ Personal Narrative
  55. Chapter 27
  56. The Doncaster Murder
  57. Chapter 28
  58. Not from Captain Hastings’ Personal Narrative
  59. Chapter 29
  60. At Scotland Yard
  61. Chapter 30
  62. Not from Captain Hastings’ Personal Narrative
  63. Chapter 31
  64. Hercule Poirot Asks Questions
  65. Chapter 32
  66. And Catch a Fox
  67. Chapter 33
  68. Alexander Bonaparte Cust
  69. Chapter 34
  70. Poirot Explains
  71. Chapter 35
  72. Finale
  73. E-Book Extras
  74. The Poirots
  75. Charles Osborne on The ABC Murders
  76. About Agatha Christie
  77. The Agatha Christie Collection
  78. www.agathachristie.com

Mr Cust hurried across the yard and out into the street.

Round the first corner to the right—then to the left—right again…

Dare he risk the station?

Yes—there would be crowds there—special trains— if luck were on his side he would do it all right…

If only luck were with him…

Chapter 26

Not from Captain Hastings’ Personal Narrative

Inspector Crome was listening to the excited utterances of Mr Leadbetter.

‘I assure you, inspector, my heart misses a beat when I think of it. He must actually have been sitting beside me all through the programme!’

Inspector Crome, completely indifferent to the behaviour of Mr Leadbetter’s heart, said:

‘Just let me have it quite clear? This man went out towards the close of the big picture—’

‘Not a Sparrow—Katherine Royal,’ murmured Mr Leadbetter automatically.

‘He passed you and in doing so stumbled—’

‘He pretended to stumble, I see it now. Then he leaned over the seat in front to pick up his hat. He must have stabbed the poor fellow then.’

‘You didn’t hear anything? A cry? Or a groan?’

Mr Leadbetter had heard nothing but the loud, hoarse accents of Katherine Royal, but in the vividness of his imagination he invented a groan.

Inspector Crome took the groan at its face value and bade him proceed.

‘And then he went out—’

‘Can you describe him?’

‘He was a very big man. Six foot at least. A giant.’

‘Fair or dark?’

‘I—well—I’m not exactly sure. I think he was bald. A sinister-looking fellow.’

‘He didn’t limp, did he?’ asked Inspector Crome.

‘Yes—yes, now you come to speak of it I think he did limp. Very dark, he might have been some kind of half-caste.’

‘Was he in his seat the last time the lights came up?’

‘No. He came in after the big picture began.’

Inspector Crome nodded, handed Mr Leadbetter a statement to sign and got rid of him.

‘That’s about as bad a witness as you’ll find,’ he remarked pessimistically. ‘He’d say anything with a little leading. It’s perfectly clear that he hasn’t the faintest idea what our man looks like. Let’s have the commissionaire back.’

The commissionaire, very stiff and military, came in and stood to attention, his eyes fixed on Colonel Anderson.

‘Now, then, Jameson, let’s hear your story.’

Jameson saluted.

‘Yes sir. Close of the performance, sir. I was told there was a gentleman taken ill, sir. Gentleman was in the two and fourpennies, slumped down in his seat like. Other gentlemen standing around. Gentleman looked bad to me, sir. One of the gentlemen standing by put his hand to the ill gentleman’s coat and drew my attention. Blood, sir. It was clear the gentleman was dead—stabbed, sir. My attention was drawn to an A B C railway guide, sir, under the seat. Wishing to act correctly, I did not touch same, but reported to the police immediately that a tragedy had occurred.’

‘Very good. Jameson, you acted very properly.’

‘Thank you, sir.’

‘Did you notice a man leaving the two and fourpennies about five minutes earlier?’