Contents (79)
- Contents
- Foreword
- Chapter 1
- The Letter
- Chapter 2
- Not from Captain Hastings’ Personal Narrative
- Chapter 3
- Andover
- Chapter 4
- Mrs Ascher
- Chapter 5
- Mary Drower
- Chapter 6
- The Scene of the Crime
- Chapter 7
- Mr Partridge and Mr Riddell
- Chapter 8
- The Second Letter
- Chapter 9
- The Bexhill-on-Sea Murder
- Chapter 10
- The Barnards
- Chapter 11
- Megan Barnard
- Chapter 12
- Donald Fraser
- Chapter 13
- A Conference
- Chapter 14
- The Third Letter
- Chapter 15
- Sir Carmichael Clarke
- Chapter 16
- Not from Captain Hastings’ Personal Narrative
- Chapter 17
- Marking Time
- Chapter 18
- Poirot Makes a Speech
- Chapter 19
- By Way of Sweden
- Chapter 20
- Lady Clarke
- Chapter 21
- Description of a Murderer
- Chapter 22
- Not from Captain Hastings’ Personal Narrative
- Chapter 23
- September 11th. Doncaster
- Chapter 24
- Not from Captain Hastings’ Personal Narrative
- Chapter 25
- Not from Captain Hastings’ Personal Narrative
- Chapter 26
- Not from Captain Hastings’ Personal Narrative
- Chapter 27
- The Doncaster Murder
- Chapter 28
- Not from Captain Hastings’ Personal Narrative
- Chapter 29
- At Scotland Yard
- Chapter 30
- Not from Captain Hastings’ Personal Narrative
- Chapter 31
- Hercule Poirot Asks Questions
- Chapter 32
- And Catch a Fox
- Chapter 33
- Alexander Bonaparte Cust
- Chapter 34
- Poirot Explains
- Chapter 35
- Finale
- E-Book Extras
- The Poirots
- Charles Osborne on The ABC Murders
- About Agatha Christie
- The Agatha Christie Collection
- www.agathachristie.com
In the street he consulted his watch.
‘With great haste, my friend, we might manage to catch the 7.2. Let us despatch ourselves quickly.’
Chapter 8
The Second Letter
‘Well?’ I demanded eagerly.
We were seated in a first-class carriage which we had to ourselves. The train, an express, had just drawn out of Andover.
‘The crime,’ said Poirot, ‘was committed by a man of medium height with red hair and a cast in the left eye. He limps slightly on the right foot and has a mole just below the shoulder-blade.’
‘Poirot?’ I cried.
For the moment I was completely taken in. Then the twinkle in my friend’s eye undeceived me.
‘Poirot!’ I said again, this time in reproach.
‘Mon ami, what will you? You fix upon me a look of doglike devotion and demand of me a pronouncement àla Sherlock Holmes! Now for the truth—I do not know what the murderer looks like, nor where he lives, nor how to set hands upon him.’
‘If only he had left some clue,’ I murmured.
‘Yes, the clue—it is always the clue that attracts you. Alas that he did not smoke the cigarette and leave the ash, and then step in it with a shoe that has nails of a curious pattern. No—he is not so obliging. But at least, my friend, you have the railway guide. The A B C, that is a clue for you!’
‘Do you think he left it by mistake then?’
‘Of course not. He left it on purpose. The fingerprints tell us that.’
‘But there weren’t any on it.’
‘That is what I mean. What was yesterday evening? A warm June night. Does a man stroll about on such an evening in gloves? Such a man would certainly have attracted attention. Therefore since there are no fingerprints on the A B C, it must have been carefully wiped. An innocent man would have left prints—a guilty man would not. So our murderer left it there for a purpose—but for all that it is none the less a clue. That A B C was bought by someone—it was carried by someone—there is a possibility there.’
‘You think we may learn something that way?’
‘Frankly, Hastings, I am not particularly hopeful. This man, this unknown X, obviously prides himself on his abilities. He is not likely to blaze a trail that can be followed straight away.’
‘So that really the ABC isn’t helpful at all.’
‘Not in the sense you mean.’
‘In any sense?’
Poirot did not answer at once. Then he said slowly:
‘The answer to that is yes. We are confronted here by an unknown personage. He is in the dark and seeks to remain in the dark. But in the very nature of things he cannot help throwing light upon himself. In one sense we know nothing about him—in another sense we know already a good deal. I see his figure dimly taking shape—a man who prints clearly and well—who buys good-quality paper—who is at great needs to express his personality. I see him as a child possibly ignored and passed over—I see him growing up with an inward sense of inferiority—warring with a sense of injustice…I see that inner urge—to assert himself—to focus attention on himself ever becoming stronger, and events, circumstances—crushing it down—heaping, perhaps, more humiliations on him. And inwardly the match is set to the powder train…’