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Contents (79)
  1. Contents
  2. Foreword
  3. Chapter 1
  4. The Letter
  5. Chapter 2
  6. Not from Captain Hastings’ Personal Narrative
  7. Chapter 3
  8. Andover
  9. Chapter 4
  10. Mrs Ascher
  11. Chapter 5
  12. Mary Drower
  13. Chapter 6
  14. The Scene of the Crime
  15. Chapter 7
  16. Mr Partridge and Mr Riddell
  17. Chapter 8
  18. The Second Letter
  19. Chapter 9
  20. The Bexhill-on-Sea Murder
  21. Chapter 10
  22. The Barnards
  23. Chapter 11
  24. Megan Barnard
  25. Chapter 12
  26. Donald Fraser
  27. Chapter 13
  28. A Conference
  29. Chapter 14
  30. The Third Letter
  31. Chapter 15
  32. Sir Carmichael Clarke
  33. Chapter 16
  34. Not from Captain Hastings’ Personal Narrative
  35. Chapter 17
  36. Marking Time
  37. Chapter 18
  38. Poirot Makes a Speech
  39. Chapter 19
  40. By Way of Sweden
  41. Chapter 20
  42. Lady Clarke
  43. Chapter 21
  44. Description of a Murderer
  45. Chapter 22
  46. Not from Captain Hastings’ Personal Narrative
  47. Chapter 23
  48. September 11th. Doncaster
  49. Chapter 24
  50. Not from Captain Hastings’ Personal Narrative
  51. Chapter 25
  52. Not from Captain Hastings’ Personal Narrative
  53. Chapter 26
  54. Not from Captain Hastings’ Personal Narrative
  55. Chapter 27
  56. The Doncaster Murder
  57. Chapter 28
  58. Not from Captain Hastings’ Personal Narrative
  59. Chapter 29
  60. At Scotland Yard
  61. Chapter 30
  62. Not from Captain Hastings’ Personal Narrative
  63. Chapter 31
  64. Hercule Poirot Asks Questions
  65. Chapter 32
  66. And Catch a Fox
  67. Chapter 33
  68. Alexander Bonaparte Cust
  69. Chapter 34
  70. Poirot Explains
  71. Chapter 35
  72. Finale
  73. E-Book Extras
  74. The Poirots
  75. Charles Osborne on The ABC Murders
  76. About Agatha Christie
  77. The Agatha Christie Collection
  78. www.agathachristie.com

The ABC Murders was serialized in a London newspaper, the Daily Express, in the autumn of 1935, and the newspaper published simultaneously a column of ‘Readers’ Guesses’ at the solution. One reader accused Poirot of not making intelligent use of the ABC Rail Guide: ‘He is anxious to reach Churston, and so takes the midnight train from Paddington, arriving at 7.15. Had he looked more carefully, he would have found that by leaving nearly two hours later—1.40 a.m.—he would have arrived an hour earlier—at 6.10 a.m.’ But it is Hastings, not Poirot, who chooses that particular train from the ABC, and he may well have been choosing the most convenient, rather than the fastest train. ‘There’s a midnight train—sleeping-car to Newton Abbot—gets there at 6.8 a.m., and to Churston at 7.15,’ Hastings tells Poirot, adding that the ABC Rail Guide identifies Churston as a small town in Devon, 204¾ miles from Paddington, and with a population of 656. (The ABC Rail Guide 26 no longer deals in fractions of a mile. It now lists Churston as being 205 miles from Paddington Station, London, with a population of 1,582. Sadly, it reveals that trains no longer run to Churston, and that the nearest British Rail station is three miles away, at Paignton. From Paignton, there is a bus service to Churston which takes fourteen minutes. The midnight train gets to Newton Abbot at 4.17 a.m., knocking 1 hour, 51 minutes off its 1935 time.)

A number of crime writers have more or less plagiarized various aspects of The ABC Murders. In Greenmask! by the American novelist, Elizabeth Linington, one of a pair of homo-sexuals is an Agatha Christie fan. He and his partner decide to make use of her ABC plot in the murders they commit: they place a copy of the relevant California county guide on the body of each victim. Ellery Queen’s Cat of Many Tails leans heavily on The ABC Murders. A French novel, The Sleeping Car Murders (filmed in 1966 with Simone Signoret and Yves Montand), was obviously inspired by Mrs Christie’s Hercule Poirot adventure.

In Chapter 3 of The ABC Murders Poirot curiously adumbrates the plot of a later Agatha Christie novel which, although she did not write it until several months after The ABC Murders, must already have been clearly formed in the author’s mind:

‘Supposing,’ murmured Poirot, ‘that four people sit down to play bridge and one, the odd man out, sits in a chair by the fire. One of the four, while he is dummy, has gone over and killed him, and intent on the play of the hand, the other three have not noticed. Ah, there would be a crime for you! Which of the four was it?’

No one can say that Agatha Christie made things easy for herself.

‘Shouldn’t wonder if you ended by detecting your own death,’ Inspector Japp says to Poirot, laughing heartily. In due course Poirot was to do precisely this, in his last and, in many ways, most extraordinary case, Curtain.