Back A Slow Ruin
Chapters (61)
  1. Praise for USA Today bestseller Pamela Crane’s psychological thrillers:
  2. To Talia, for letting Mommy take a million pictures of you for my cover. I know you love the attention.
  3. Author’s Note
  4. The Pittsburg Press
  5. Prologue
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. The Pittsburg Press
  15. Chapter 9
  16. Chapter 10
  17. Chapter 11
  18. Chapter 12
  19. Chapter 13
  20. Chapter 14
  21. Chapter 15
  22. Chapter 16
  23. The Pittsburg Press
  24. Chapter 17
  25. Chapter 18
  26. Chapter 19
  27. Chapter 20
  28. Chapter 21
  29. Chapter 22
  30. The Pittsburg Press
  31. Chapter 23
  32. Chapter 24
  33. Chapter 25
  34. The Pittsburg Press
  35. Chapter 26
  36. Chapter 27
  37. Chapter 28
  38. Chapter 29
  39. The Pittsburg Press
  40. Chapter 30
  41. Chapter 31
  42. Chapter 32
  43. Chapter 33
  44. Chapter 34
  45. Chapter 35
  46. Chapter 36
  47. Chapter 37
  48. Chapter 38
  49. Chapter 39
  50. Chapter 40
  51. Chapter 41
  52. The Pittsburg Press
  53. Chapter 42
  54. Chapter 43
  55. Chapter 44
  56. Chapter 45
  57. Chapter 46
  58. Epilogue
  59. Acknowledgments
  60. About the Author
  61. Enjoy what you read?

In one hand was the picture of her, Marin, Josie, and Bennett that she’d kept from Marin’s belongings before they were donated to Goodwill. In the other was a bloodstained envelope she had found on her bed this afternoon, shortly after the memorial for Bennett started, a simple affair hosted by her parents in their home. They had decided against a funeral home at Vera’s request; more than once she had described in vivid detail the picturesque mansion to Bennett, who was equally intrigued by its infamy and its grandiosity, and pleased that his daughter, far from being spoiled by such opulence, remained delightfully down-to-earth. It seemed only fitting to Vera that her father, a beautifully humble man who had endured with grace a lifetime of privations, should go out in stylish surroundings.

For all that, the family decided to keep the ceremony itself—like the man—simple. Vera had sketched a portrait of Bennett in Contè crayon, depicting him as a young, vibrant man before the ravages of illness and sorrow and guilt took their toll. The picture, in a barnwood frame, sat upon an easel in the sitting room where the ceremony was held. It had been Bennett’s wish to be cremated; at Vera’s insistence, his urn sat upon the antique writing desk, the beloved heirloom of her great-great grandmother Alvera Fields, she and her father had restored.

Vera recognized most of the callers—relatives, classmates, friends of the family, her parents’ colleagues—who dropped off condolences and flowers. Some were opportunistic looky-loos, taking advantage of the circumstances to infiltrate the fabled Execution Estate; tipped off by their blatant snooping into private areas, the security guards Oliver hired discreetly escorted them off the premises. Austin and Blythe, on the other hand, were given the grand tour of the mansion by Vera herself, with especial attention to the library, which they pronounced way-cool.

A precious few acquaintances came to pay their respects to Bennett. He had long ago lost touch with most people, especially after Josie—aka bio mom—disappeared and he sank into a slow ruin. But this letter meant that not everything had been lost. Her biological mother was still out there. Possibly even here in this very room. And just like her great-great-grandmother Alvera, the mystery of who she was tugged at Vera. Yanked at her. Heaved and hauled her into its grip.

The envelope dotted with her sister’s blood was addressed to Marin but left behind for Vera’s eyes only: