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Chapters (21)
  1. Cover
  2. Landing Page
  3. A Private Function
  4. CONTENTS
  5. INTRODUCTION
  6. The Old Crowd
  7. CAST
  8. A Private Function
  9. PREFACE
  10. CAST AND CREDITS
  11. Prick Up Your Ears
  12. PREFACE
  13. CAST AND CREDITS
  14. 102 Boulevard Haussmann
  15. CAST AND CREDITS
  16. The Madness of King George
  17. PREFACE
  18. CAST AND CREDITS
  19. About the Author
  20. Also by the Author
  21. Copyright
GREVILLE Rupert Graves
QUEEN CHARLOTTE Helen Mirren
LADY PEMBROKE Amanda Donohoe
AMELIA Charlotte Curley
ROYAL CHILDREN Peter Bride-Kirk
Eve Cadman
Thomas Copeland
Joanna Hall
Cassandra Halliburton
Russell Martin
Natalie Palys
PRINCE OF WALES Rupert Everett
DUKE OF YORK Julian Rhind-Tutt
FOOTMEN David Leon
Martin Julier
GEORGE III Nigel Hawthorne
FITZROY Anthony Calf
PAPANDIEK Matthew Lloyd Davies
FORTNUM Adrian Scarborough
BRAUN Paul Corrigan
THURLOW John Wood
FOOTMEN Don Hammond
Nick Irons
SERGEANT AT ARMS Nick Sampson
BLACK ROD Jeremy Child
SPEAKER Nicholas Selby
PITT Julian Wadham
FOX Jim Carter
SHERIDAN Barry Stanton
DUNDAS Struan Rodger
MARGARET NICHOLSON Janine Duvitski
MRS FITZHERBERT Caroline Harker
FARMER Iain Mitchell
BAKER Roger Hammond
WARREN Geoffrey Palmer
LADY ADAM Celestine Randall.
PEPYS Cyril Shaps
AMPUTEE Michael Grandage
WILLIS Ian Holm
WILLIS’S ATTENDANTS James Peck
Clive Brunt
Fergus Webster
Barry Gillespie
Joe Maddison
MRS CORDWELL Selina Cadell
FOOTMAN Dermot Keaney
CLERGYMAN Peter Woodthorpe
MEMBERS OF PARLIAMENT Collin Johnson
Roger Ashton-Griffiths
1ST MP Robert Swam
2ND MP Alan Bennett
Director Nicholas Hytner
Producers Stephen Evans
David Parfitt
Director of Photography Andrew Dunn, BSC
Editor Tariq Anwar
Production Designer Ken Adam
Costumes Mark Thompson
Music George Fenton

INT. WESTMINSTER. A DOOR. DAY.

A hand (the sleeve military, the hand gloved) knocks tentatively on the worn wood.

INT. WESTMINSTER. ANTEROOM. DAY.

Opening, the door discloses a royal waiting room. Robed and crowned, but settled comfortably among her children, is the Queen, Queen Charlotte. A middle-aged, plain-spoken woman (German but not in a governessy way), the Queen is attended by her Mistress of Robes, the Countess of Pembroke, tall, beautiful, alert. The Queen beckons to Amelia, her daughter of four years old, and licks her handkerchief to wipe a smut off the child’s face. Too old for her to wipe anything off his face (except the smile) is the Queen’s eldest Son, George, Prince of Wales. Now twenty-six, the Prince of Wiles is beginning to lose his looks through drink, hanging about and the usual difficulties associated with being heir to the throne, the job specification for which would have to include the ability to kick your heels for half a lifetime. With the Prince is his younger brother Frederick, Duke of York, a silly boy, with a startled wig but no malice in him at all. Both are in full ceremonial rig. Heedless of these lustrous personages and their royalty, pages and equerries bustle in and out, somewhere we do not yet see, robing His Majesty. Busy, busy, busy, except that the tentative opening of the door by an attractive young man briefly halts the proceedings. Queen, princes, pages, royal retainers, all pause and take him in. Bowing, the young man comes into the room; he might be Alice walking through the Looking-Glass.

LADY PEMBROKE   (whispering to the Queen) Captain Greville, ma’am. His Majesty’s new equerry.
The Queen acknowledges Greville. The Prince of Wales and the Duke of York, his younger brother, are standing, bored, to one side.