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Chapters (71)
  1. Copyright Notice
  2. Dedication
  3. Part One
  4. One
  5. Two
  6. Three
  7. Four
  8. Five
  9. Six
  10. Seven
  11. Eight
  12. Nine
  13. Ten
  14. Eleven
  15. Part Two
  16. Twelve
  17. Thirteen
  18. Fourteen
  19. Fifteen
  20. Sixteen
  21. Seventeen
  22. Eighteen
  23. Nineteen
  24. Twenty
  25. Twenty-One
  26. Twenty-Two
  27. Twenty-Three
  28. Twenty-Four
  29. Twenty-Five
  30. Twenty-Six
  31. Twenty-Seven
  32. Twenty-Eight
  33. Twenty-Nine
  34. Thirty
  35. Thirty-One
  36. Thirty-Two
  37. Part Three
  38. Thirty-Three
  39. Thirty-Four
  40. Thirty-Five
  41. Thirty-Six
  42. Thirty-Seven
  43. Thirty-Eight
  44. Thirty-Nine
  45. Forty
  46. Forty-One
  47. Forty-Two
  48. Forty-Three
  49. Forty-Four
  50. Part Four
  51. Forty-Five
  52. Forty-Six
  53. Forty-Seven
  54. Forty-Eight
  55. Forty-Nine
  56. Fifty
  57. Fifty-One
  58. Fifty-Two
  59. Fifty-Three
  60. Part Five
  61. Fifty-Four
  62. Fifty-Five
  63. Fifty-Six
  64. Fifty-Seven
  65. Fifty-Eight
  66. Fifty-Nine
  67. Sixty
  68. Sixty-One
  69. Books by Barbara Taylor Bradford
  70. About the Author
  71. Newsletter Sign-up

He hated what he thought of as “bits and pieces,” small additions, popping out at each end of a house. Blackie O’Neill’s ideal, his true favorite, was the Palladian villa. That was the style he favored and would build. One day he would own one himself, in fact. And definitely in Harrogate.

Opposite the library was the drawing room, and like the room he had just left, it was light on furniture and clutter.

How he disliked the ornate Victorian style, so prevalent still. Too much furniture, too many objects, and those ghastly plants in big brass pots—mostly palms squeezed in between small tables.

He walked slowly around, noting the sense of calmness. The walls were painted cream, as were the doors and the fireplace. Two small sofas were covered in cream brocade, and the rug on the floor was cream, patterned with small pink, green and blue flowers. The paleness, the austerity, the smoothness, of the room created an atmosphere of tranquility. He recognized that Angela had good taste and a flair for decorating. A style of her own that was unique.

“Here you are!” Angela exclaimed, coming into the drawing room. “So, Blackie, do you like my home?”

“Absolutely,” he answered, swinging around at the sound of her voice. “The library is a gem, and what a sense of calmness ye have created in here. I like yer choices, how ye’ve been very careful not ter fill up space with needless stuff.”

She nodded. “I hate a lot of stuff, as you call it, much prefer a sense of airiness, spaciousness. Well, I’m glad you approve. So, come along, supper is ready. Claudie is about to put the dishes on the sideboard in the dining room.”

Blackie asked, “Who is Claudie?”

Walking alongside him down the corridor, Angela explained, “She’s my helper, a devoted friend of many years. Her mother, Clara, was my aunt’s housekeeper in Harrogate, when I was growing up. They lived with us at the house near the Stray. When Clara died, we kept Claudie on. She had no other family and nowhere to go, you see.”

“That was kind of ye,” Blackie ventured, a strong hint of admiration in his voice. He glanced down at her, thinking what a nice person she seemed to be, thoughtful of others.

The dining room took him by surprise as they entered. After the paleness of the pine-paneled library and the all-cream drawing room, they stepped into a dark-green and white room. Green walls and silk draperies, with white paint on all the doors, wood trim and ceiling. The chair frames were also painted white and all the chair seats were of deep green silk. It was handsome, he decided, and a nice change.

Angela looked up at him. Observing the surprise on his face, she burst out laughing. “A bit of a shock, eh, Blackie?”