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Contents ( 78)
  1. A LITTLE TOO LATE
  2. SARINA BOWEN
  3. Tuxbury Publishing LLC
  4. Contents
  5. Cheerful Mountain Goats
  6. Reed
  7. Less Dancing and More Snow
  8. Ava
  9. Middlebury College, Vermont
  10. Not Exactly Scandalous
  11. Reed
  12. Posh Industrial
  13. Charli
  14. Eggplant Jokes
  15. Neil
  16. Skittish Kitten
  17. Charli
  18. Yes, He Definitely Got My Drunk Text
  19. Mark
  20. The Sliding Scale of Hotness
  21. Asher
  22. Double Screwed
  23. Mark
  24. The Da Vinci of Underwear
  25. Asher
  26. Captain Filthy Mind
  27. Mark
  28. Stick With The Usual Favorites
  29. Abbi
  30. People Get Restless
  31. Weston
  32. Are We Really Doing This?
  33. Abbi
  34. Anyone Get it on Video?
  35. September
  36. ANTON
  37. Like the Caribbean Sea
  38. SYLVIE
  39. Big No No
  40. ANTON
  41. An Ocean of Mercy
  42. SYLVIE
  43. The Right Kind of Screw
  44. SYLVIE
  45. Polish and Brighten
  46. ANTON
  47. Sniper Speed
  48. SYLVIE
  49. Such a Grind
  50. ANTON
  51. The Tavern on Hicks
  52. SYLVIE
  53. Part Mermaid
  54. Never forget a woman
  55. I just jinxed us
  56. Some saves are guesswork
  57. You could do this professionally
  58. Tuxbury Vermont
  59. The Twist
  60. Boston, Massachusetts
  61. A little safety pin
  62. Nowhere to hide
  63. Ice Ice Baby
  64. Chastity
  65. The Whole Catholic Thing
  66. Chastity
  67. Zambonis
  68. Dylan
  69. Hockey stop
  70. Chastity
  71. The Tavern Again
  72. Alec
  73. The Shots you never take
  74. May
  75. Gretsky was right
  76. Alec
  77. Marry Me
  78. May

“Nice,” I said. But Audrey Kidder in a kitchen? That was something I had a real hard time visualizing. She might chip a nail.

“I took the job at Boston Premier Group because I want to start my own restaurant. That’s really hard to do—you need backers. If I kiss the ring for a while, they can help me get started.”

Interesting. But now she was just buttering me up in order to get what she needed from me. She worked for a bunch of corporate slimeballs who took advantage of everyone they could. And she wanted my approval? Not happening.

“Why don’t you ask your parents for the startup money?” I asked. Audrey was a rich girl. That’s why the sorority types had liked her so much. “Can’t they help?”

“No, Griff.” Her voice dipped. “As a matter of fact they can’t.” And a flash of something dark crossed her face.

Whoops. I’d stuck my foot in my mouth again. “Well,” I grunted. “Let’s talk about my ciders while Zach fixes your car.”

“Cool! Can I see where you make them?” Her face lit up like a kid’s on Christmas, and I felt a twinge of unfamiliar kinship in my chest. Cider was my passion, and whenever anyone expressed interest, it made me happy.

Then again, the girl really had enjoyed getting drunk back in the day.

“Yeah. Of course. This way.” We passed the farmhouse on our right, then I steered Audrey between the bunkhouse and the dairy barn toward my pride and joy—the cider house. My father had always made artisanal cider, but he made it for himself. Every year he’d sold a few gallons just for fun.

But I’d grown Dad’s tiny operation into something much bigger. Pushing open the door to the barn-like building, I flipped on the old soda lamps overhead.

“Whoa,” Audrey said, her voice hushed. “Those tanks are serious.”

“They are,” I agreed, fighting off the rush of pleasure I felt whenever someone admired my babies. “My cider wins awards.” Okay, one award. But I was just getting started. “Any yokel can brew a decent beer in his garage, but it’s difficult to create a cider with any complexity. And there’s a lot that can go wrong, chemically speaking.”

“Uh-huh,” Audrey said, wandering over to my bottling machine and picking up an empty bottle. “Nice label.”

The label was the least interesting thing in the room. “Thanks,” I said tightly. “My brother designed it.”

She looked up quickly, a grin on her face. “I know you don’t give a fuck about the label, Grouchy Griff,” she said, putting it down again. “But marketing matters to buyers. People need to feel good about plunking down a lot of cash for premium goods. They want a story, because the story lasts longer than it takes to swallow something.”

“Uh-huh.” This was the kind of mumbo jumbo that made me crazy, because people should be willing to pay for organic quality simply because it’s the right thing to do. “So you’re saying the pretty picture means more to your customers than the fact that my orchard isn’t poisoning Vermont’s groundwater with chemicals and petroleum-based fertilizers? And that I pay my employees a living wage?”