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Contents ( 50)
  1. SIGNIFICANT FAMILIES OF OZ
  2. Deposition of an Oracle
  3. 1
  4. 2
  5. 3
  6. 4
  7. 5
  8. The Nursery in the Forest
  9. 1
  10. 2
  11. 3
  12. 4
  13. 5
  14. 6
  15. No Good Old Days to Speak Of
  16. 1
  17. 2
  18. 3
  19. 4
  20. 5
  21. 6
  22. A Coward for His Country
  23. 1
  24. 2
  25. 3
  26. 4
  27. 5
  28. 6
  29. 7
  30. 8
  31. A Question of Influence
  32. 1
  33. 2
  34. 3
  35. The Past Approaches
  36. 1
  37. 2
  38. 3
  39. 4
  40. 5
  41. 6
  42. The Shroud of the Cowardly Lion
  43. 1
  44. 2
  45. 3
  46. 4
  47. 5
  48. 6
  49. Acknowledgments
  50. About the Author

Shadowpuppet sniffed around the edges of Sister Hospitality, who came around and sat up. “You’re blind, not to mention dead, Mother Yackle,” sputtered the maunt. “How could you make your way upstairs?”

“My inner eyesight seems to have been improved with my little reprieve from the distractions of dailiness,” Yackle admitted. “I could remember every step taken to cart me downstairs, and how high the door handle was, and so on.”

“No time like the present,” said the Lion, extracting from another pocket a pen and a small pot of ink with a cork stopper. “The tides of war go backward as well as forward, and some army might wash up here by teatime. I’d never be able to concentrate if there were men ballyhooing about. Distractible that way, but there you are.”

“You have no business leaving your bier and barging in here as if this is some sort of a-a saloon,” insisted Sister Hospitality in a honking voice, but they banished her and set to the task.

5

H E DIDN’T like the look of Mother Yackle. Who could? She was a walking cadaver. Her eyes rolled, ungovernable but to the spectacle of her inner sight. Her lips were thin as string. Her nails had kept growing while she was interred, and they made a clacking sound like a set of bamboo blinds being lowered against the noonday sun. When she went to scratch a place on her scalp, she misjudged the angle of approach and nearly punctured her own eardrum.

It’s been a long time since I have seen Death this close up, he thought. This is Death refusing to die. She’s a centerfold for a mortuary quarterly.

“I was quite a looker in my time,” she said. Was she reading his mind, or only being smart, to know that she must be hideous?

“Oh, had they invented time as long ago as that?”

“A comedian,” she observed. “I come back from the very gates of death to be interviewed by a vaudeville wannabe.”

“Let’s get started.” He flipped open his notebook. At the top of the page he wrote a note to himself: Interview One. Don’t vomit.

She paused so long that Brrr thought perhaps she’d expired. My timing, he thought. Just my luck, if I believed in luck. I only believe in the opposite of luck, whatever that is.

But then she exhaled again. “What do you want from me, kind sir?” Her vowels were lengthy, as if she intended to wring out of her words every drop of nuance they might supply.

“I’m conducting an investigation,” he said. “Official business. Consider the codes quoted and the documents flashed at you. You’re blind, you can’t read them anyway, so take it on faith. We don’t have a lot of time. I’m chatting up anyone who had anything to do with a Madame Morrible. Your name has come up.”

“That’s no answer,” she said. “My name comes up everywhere if you dig deep enough. I want to know why Madame Morrible’s archives are being combed. Why are you bothering?”