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Contents ( 50)
  1. SIGNIFICANT FAMILIES OF OZ
  2. Deposition of an Oracle
  3. 1
  4. 2
  5. 3
  6. 4
  7. 5
  8. The Nursery in the Forest
  9. 1
  10. 2
  11. 3
  12. 4
  13. 5
  14. 6
  15. No Good Old Days to Speak Of
  16. 1
  17. 2
  18. 3
  19. 4
  20. 5
  21. 6
  22. A Coward for His Country
  23. 1
  24. 2
  25. 3
  26. 4
  27. 5
  28. 6
  29. 7
  30. 8
  31. A Question of Influence
  32. 1
  33. 2
  34. 3
  35. The Past Approaches
  36. 1
  37. 2
  38. 3
  39. 4
  40. 5
  41. 6
  42. The Shroud of the Cowardly Lion
  43. 1
  44. 2
  45. 3
  46. 4
  47. 5
  48. 6
  49. Acknowledgments
  50. About the Author

How tedious to be an angel: So much holy vigor, and all directed to the Unnamed God who, without form or name or provable substance, could hardly be expected to enjoy the attentions that angels seemed eager to supply.

Probably those images had been whitewashed over. While the mission settlement of this outpost was conveniently distant from the spiritual governance of the EC, the self-appointed Holy Emperor of Oz had wielded his influence upon the varied religious and agnostic traditions of the nation. Probably the bosomy nymphs and rosy-bottomed angel boys above had been banished beyond the cloud of unknowing, a lime wash swirled with a brush. Oh, the happy memories that the soft-bristled brush must cherish!

She was working herself into a state of agitation.

She tried to concentrate for a moment on the music.

But sacred music-another anomaly. If in the Afterlife every good thing coexists eternally, then music cannot exist. Music is the stuttering of adjacent noises in sequence-stress, discord, complaint, resolve: then release-and sequence means timing. If the sound of music is simultaneous, all notes sounding at once, forever, then it is just sound. A mothy blur of noise. A sea of aural fuzz.

“Yield up, yield up,” sang the maunts, in a dirge written, surprisingly, in waltz time. Yackle remembered it and tapped her toes.

“Yield up your souls

To singe the air.

Yield up, and mount the heavenly stair.

Yield up, yield up,

You’re almost there.

You’ve dropped your bones in the sod.

Yield up, yield up, yield up your souls

To the darksome, nameless disappearance:

The heart of the Unnamed God.”

When Sister Doctor approached the podium to offer a eulogy for the dead soldiers, Yackle stood up and rambled away.

3

S HE WAS almost back to the chamber where Brrr was conducting his interviews when she was interrupted by an unfamiliar smell. In the corridor’s chill stony breath, a mild, milky reek of tubers. At about the level of her thighs.

“Who is it?” she said, thinking: A dog? A raccoon? A Munchkinlander she hadn’t met yet? (Sister Apothecaire was the only Munchkinlander in residence, and her musk was redolent of rotting tea leaves, no matter how much lavender she doused herself with.) Then Yackle thought: I’m a bit potty-I imagine this to be old what’s-‘er-name, the Glikkun from the Lion’s past. Sakkali Oafish. A Glikkun would smell of root vegetables; they all live underground.

But it was a male voice that replied. “Sticky trickle, who’d have guessed this? You old thing? Still? What’s propping you up?”

She knew the voice, from years and years back. “Making trouble again?” she snapped at the dwarf.

“I never make trouble,” he protested, chuckling. “I make way for trouble.”

“What are you doing here? In a cloister of religious women, of all unseemly places?”

“Not my first choice,” he admitted. “But small and incidental as I am, no more than a straw in the floods of history, I am pushed ahead of the approaching Messiars. The Emerald City will be catching news of the attack this morning. Retaliation time. Of course it’s all in the cards, don’t you know? The armies are already here, prepared for the next provocation. What an obvious game, what a tedious one. But I agree: I don’t like being washed up on the banks of a religious establishment any more than you do, I suspect.”