Contents ( 50)
- SIGNIFICANT FAMILIES OF OZ
- Deposition of an Oracle
- 1
- 2
- 3
- 4
- 5
- The Nursery in the Forest
- 1
- 2
- 3
- 4
- 5
- 6
- No Good Old Days to Speak Of
- 1
- 2
- 3
- 4
- 5
- 6
- A Coward for His Country
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- A Question of Influence
- 1
- 2
- 3
- The Past Approaches
- 1
- 2
- 3
- 4
- 5
- 6
- The Shroud of the Cowardly Lion
- 1
- 2
- 3
- 4
- 5
- 6
- Acknowledgments
- About the Author
Her reservations weren’t rooted in aesthetics. She knew little about that branch of opinion, and cared less. Beauty and its refinements. Hah! If she had to consider her aversion to the unslakable I in terms of theory, she supposed she would speak about the elegance of justice: Your I and my I are of equal weight. Or about the central paradox of equality: The I, the singular first-person pronoun, had to be eradicated in order to sustain the argument about justice’s brash lack of interest in individual history-even as justice existed to champion the rights of such histories to exist. I and I and I and I, all the land over.
The dwarf barked at her. “Dizzy Lady Lollipalazy! We may have to break camp before our scout returns with news of those pesky troop movements! Skedaddle before we know whether we’re making ourselves targets or skirting the skirmish! Put away your notepaper unless you prefer to be swallowed up in cannon smoke. Though whether it’s the cannon of the EC professionals or the stumpy little guerrillas, we can’t yet tell. Are you listening, Twit-Twit-of-the-Mountaintops?”
After a while she uncorked a bottle of dark red ink and wrote a few words.
The madder the battle, the saner the peace.
She didn’t know if this was true. She wrote to ask herself questions. Was there any reason that peace should ever be sane? Perhaps war was too mad an endeavor for the world to survive intact; perhaps its aftermath was always corrupted. The I. who considered this was not without corruption, she knew.
She thought, but didn’t write: The louder the cannon, the deafer the peacemakers.
This was nearer to what she wanted, but it was not right.
She sighed. Given how the writing impulse had first emerged, no wonder it was so hard to get the correct words.
Some years before signing on as a nurse to a dirty old coot, she had taken up a position as a gentleman’s comfort in the squat industrial Gillikinese town of Red Sand. She learned her trade, mastered it, to useful effect. One evening she maneuvered herself from a shadowy nook in the Hall of Salt Fountains right onto the lap of a northern Gillikinese supplier of iron ore. He gave his name as Serbio, which she knew to be false. No matter; she used alibis in her line of work, too.
After a brief and teasing carriage ride, she ended up in his bed in a lodging house in one of Red Sand’s seedier streets. The smell of hot refuse, brimstone, and tarnish entwined, issued from the drapes; the factories were working overtime.
Her client was drunk and handsome though tending to portliness, and he had a wife at home who wouldn’t let him have his way with a riding crop. While I. could pretend abandon with a finesse verging on the uncanny.
Her client had left her there naked in the brownish lamplight while he answered the lodge keeper’s knock at their door (the interruption seemed to stoke rather than quench his ardor). The lodge keeper complained. Would Master Serbio please see to the inconvenient visitor at the street door as the lodge keeper was retiring-again, and this time for good?