Back A Goat's Song
Chapters (43)
  1. Cover
  2. About the Author
  3. Also by Dermot Healy
  4. Praise
  5. A GOAT’S SONG
  6. I. Christmas Day in the Workhouse
  7. 1. Waiting for Catherine
  8. 2. Walking the Triangle
  9. 3. A Taxi Through New York at Midnight
  10. 4. Shangrila
  11. 5. The Nomads
  12. 6. Christmas Morning
  13. 7. The Love Object
  14. 8. The Cockatiel
  15. II. The Salmon of Knowledge
  16. 9. The Death of Matti Bonner
  17. 10. The Fenian Ledger
  18. 11. The News at Six
  19. 12. The Summer Home
  20. 13. The Outsiders
  21. 14. As Gaelige
  22. 15. O’Muichin and the Cléirseach
  23. 16. The Salmon of Knowledge
  24. III. The Hares
  25. 17. The Mourners
  26. 18. The Greatest Man in Ballyconeely
  27. 19. Oh No, Don’t Stop the Carnival
  28. 20. The Illustrated Sons of Ireland
  29. 21. The Sea
  30. 22. Through the Downhill Tunnel
  31. 23. The Irishman
  32. 24. Madame George
  33. 25. What Did Shamey Coyle Do When He Left Prison?
  34. IV. The Musical Bridge
  35. 26. Flying in Belfast
  36. 27. Crossing the Musical Bridge
  37. 28. Searching for Jack in Yeats’ County
  38. 29. Guilt–tripping
  39. 30. Corrloch
  40. 31. The Cuckoo Mocks the Corncrake
  41. 32. A Time of Big Seas
  42. 33. Popular Songs
  43. 34. Happiness

The dog rubbed his back against the underneath of the chair. Jack’s touch set Daisy’s right rear leg into a state of uncontrollable pleasure. It slapped the cement floor like a drumstick. The dog could not stop himself, went to dart out, withdrew and collapsed.

“Poor Daisy. Daisy,” lilted Catherine, “what an unfortunate name for a dog.” She returned her gaze to him. “Where do you come from?”

“To my great grief,” replied Jack, “I come from Kilty in the County Leitrim.”

“The dogs in Roscommon,” commenced Jack Ferris as he considered Daisy, “have different-coloured eyes. One brown, one blue. It’s hard to credit it. How do you think that happened?”

“I couldn’t say,” answered Catherine.

“In Leitrim there’s a fair few have a twist in the eye, and there’s another few albino.”

“Is that so?”

“Of course,” surmised Jack Ferris, “the shepherd dog as we know him is not the shepherd dog.”

“No?”

“Indeed, he’s not the collie at all.”

“Really?” She felt her cheek. “How interesting.”

“I always had a knack with animals,” Jack continued, bracing himself, “but never dogs. I always had a fancy towards horses and cattle, right enough,” he agreed. “And sheep, maybe. You don’t find many instances of the disturbed pupil there.” He tapped a fag into the palm of his hand. “The same horse is very scarce where I come from. Do you read the books?”

“No. All I do is look at the pictures.”

“Somebody’s codding somebody,” said Jack, emptying the ash into the fire, “I suppose you were all contrary children.”

“I suppose we were.”

“And Sara is off to the Abbey Theatre to act, I believe.”

“That’s right.”

“It’s all go.” He heard her mother cough as she crossed the landing upstairs. “What ails your ma?”

“She has congestion of the lungs. She says it’s like someone sitting on her chest.”

“Give her goat’s milk,” he said.

“Goat’s milk,” repeated Catherine, and immediately she remembered Matti Bonner. “Have you had plays put on?”

“A few,” he said.

Silence fell on them. Daisy made his way out, looked around the room, licked the floor with a very tentative, wet tongue and then tried to bury his head in Catherine’s groin. “Get down, you cur,” said Jack. “He is always saddle-sniffing.” The dog climbed back in underneath Jack’s chair, then, much to Catherine’s distraction, licked at its private parts and, finished with that, began instantly dreaming.