Back A Date With Death Save as PDF
Chapters (156)
  1. A DATE WITH DEATH
  2. Also by Mark Roberts
  3. A Date With Death
  4. Copyright Page
  5. Contents
  6. The Past
  7. 1977
  8. Day OneWednesday, 1st December 2021CatoptrophobiaFear of mirrors
  9. 1
  10. 2
  11. 3
  12. 4
  13. 5
  14. 6
  15. 7
  16. 8
  17. 9
  18. 10
  19. 11
  20. 12
  21. 13
  22. 14
  23. 15
  24. 16
  25. 17
  26. 18
  27. 19
  28. 20
  29. 21
  30. 22
  31. 23
  32. 24
  33. 25
  34. 26
  35. The Past
  36. 1979
  37. Day TwoThursday, 2nd December 2021OneirophobiaFear of dreams
  38. 27
  39. 28
  40. 29
  41. 30
  42. 31
  43. 32
  44. 33
  45. 34
  46. 35
  47. 36
  48. 37
  49. 38
  50. 39
  51. 40
  52. 41
  53. 42
  54. 43
  55. 44
  56. 45
  57. 46
  58. 47
  59. 48
  60. 49
  61. 50
  62. 51
  63. 52
  64. The Past
  65. 1980
  66. Day ThreeFriday, 3rd December 2021MonophobiaFear of being alone
  67. 53
  68. 54
  69. 55
  70. 56
  71. 57
  72. 58
  73. 59
  74. 60
  75. 61
  76. 62
  77. 63
  78. 64
  79. 65
  80. 66
  81. 67
  82. 68
  83. 69
  84. 70
  85. 71
  86. 72
  87. 73
  88. 74
  89. 75
  90. 76
  91. 77
  92. 78
  93. 79
  94. 80
  95. 81
  96. 82
  97. 83
  98. 84
  99. 85
  100. 86
  101. 87
  102. 88
  103. 89
  104. 90
  105. 91
  106. 92
  107. 93
  108. 94
  109. 95
  110. 96
  111. 97
  112. 98
  113. The Past
  114. 1982
  115. Day FourSaturday, 4th December 2021ThanatophobiaFear of Death
  116. 99
  117. 100
  118. 101
  119. 102
  120. 103
  121. 104
  122. 105
  123. 106
  124. 107
  125. 108
  126. 109
  127. 110
  128. 111
  129. 112
  130. 113
  131. 114
  132. 115
  133. 116
  134. 117
  135. 118
  136. 119
  137. 120
  138. 121
  139. 122
  140. 123
  141. 124
  142. 125
  143. 126
  144. 127
  145. 128
  146. 129
  147. 130
  148. 131
  149. 132
  150. 133
  151. 134
  152. 135
  153. 136
  154. 137
  155. About the Author
  156. An Invitation from the Publisher

Pulling up at a red light, Clay looked over her shoulder at the back seat, saw Kizzy next to a folded dressing gown. She felt the weight of a set of keys in her pocket as she pressed play on her iPhone on a recording she had made of her last conversation with Norma Maguire.

‘We found the clothes Francesca was last seen in on CCTV. They were in your wardrobe. Did you give her alternative clothing?’

‘No.’

Norma Maguire started humming.

‘Where is Francesca Christie? You still haven’t told me.’

‘Oxford Drive, Liverpool 22.’

‘In a house on Oxford Drive?’

‘Oxford Drive.’

‘Give me a post code?’

‘L22 1BX.’

‘What number?’

‘Not a number. Not a house.’

Crosby. Close to the beach. Clay recalled the moment of mental clarity back in Interview Suite 1. She took the keys from her pocket.

She pressed stop on the recording and looked ahead as she listened to directions from her satnav.

Clay opened the window to let in the cold and let out the mounting claustrophobia.

Birds swooped over the sand and the sea crashed into the shore as she turned on to Oxford Drive.

In the distance, Clay saw a white van parked outside a semi-detached house.

She accelerated.

135

4.11 pm

As Clay and Riley hurried towards the white van, Clay said, ‘They’ve swapped the licence plate.’

‘That’s how they’ve dodged the ANPRs and CCTV cameras.’

‘Francesca Christie? Francesca? Police.’ Clay banged gently on the back doors of the van. ‘My name’s DCI Eve Clay. It’s the police. Speak to me.’

The silence that followed grew more worrying with each passing moment.

‘Francesca?’ said Clay. ‘I’m a policewoman, talk to me.’

‘Hello?’

‘You’re perfectly safe, Francesca. We’ve got the people who’ve been holding you captive. They’re in our custody and no longer have any power to harm you.’

‘Where? Where am I?’

‘You’re in a white Ford Transit van on Oxford Drive in Crosby. Can I open the door?’

‘Yes.’

Clay turned the lock and pulled back the right-hand door, took a deep breath and focused on Francesca, tied up and naked on the floor.

‘The woman coming into the van right now is my colleague, Detective Sergeant Gina Riley.’

‘Francesca?’ said Riley, stepping up and into the back of the van. ‘I’m going to untie your hands and feet. I have your dressing gown with me. Once you’re untied I’m going to help you into the dressing gown. Do you think you’re able to stand on your feet?’

‘My legs feel dead. I feel dead from the waist down. I can feel my fingers and hands. I’ve got sensation in my arms.’

‘You’re cold, you’ve been tied up. The feeling will come back to your legs and feet.’