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Chapters (156)
  1. A DATE WITH DEATH
  2. Also by Mark Roberts
  3. A Date With Death
  4. Copyright Page
  5. Contents
  6. The Past
  7. 1977
  8. Day OneWednesday, 1st December 2021CatoptrophobiaFear of mirrors
  9. 1
  10. 2
  11. 3
  12. 4
  13. 5
  14. 6
  15. 7
  16. 8
  17. 9
  18. 10
  19. 11
  20. 12
  21. 13
  22. 14
  23. 15
  24. 16
  25. 17
  26. 18
  27. 19
  28. 20
  29. 21
  30. 22
  31. 23
  32. 24
  33. 25
  34. 26
  35. The Past
  36. 1979
  37. Day TwoThursday, 2nd December 2021OneirophobiaFear of dreams
  38. 27
  39. 28
  40. 29
  41. 30
  42. 31
  43. 32
  44. 33
  45. 34
  46. 35
  47. 36
  48. 37
  49. 38
  50. 39
  51. 40
  52. 41
  53. 42
  54. 43
  55. 44
  56. 45
  57. 46
  58. 47
  59. 48
  60. 49
  61. 50
  62. 51
  63. 52
  64. The Past
  65. 1980
  66. Day ThreeFriday, 3rd December 2021MonophobiaFear of being alone
  67. 53
  68. 54
  69. 55
  70. 56
  71. 57
  72. 58
  73. 59
  74. 60
  75. 61
  76. 62
  77. 63
  78. 64
  79. 65
  80. 66
  81. 67
  82. 68
  83. 69
  84. 70
  85. 71
  86. 72
  87. 73
  88. 74
  89. 75
  90. 76
  91. 77
  92. 78
  93. 79
  94. 80
  95. 81
  96. 82
  97. 83
  98. 84
  99. 85
  100. 86
  101. 87
  102. 88
  103. 89
  104. 90
  105. 91
  106. 92
  107. 93
  108. 94
  109. 95
  110. 96
  111. 97
  112. 98
  113. The Past
  114. 1982
  115. Day FourSaturday, 4th December 2021ThanatophobiaFear of Death
  116. 99
  117. 100
  118. 101
  119. 102
  120. 103
  121. 104
  122. 105
  123. 106
  124. 107
  125. 108
  126. 109
  127. 110
  128. 111
  129. 112
  130. 113
  131. 114
  132. 115
  133. 116
  134. 117
  135. 118
  136. 119
  137. 120
  138. 121
  139. 122
  140. 123
  141. 124
  142. 125
  143. 126
  144. 127
  145. 128
  146. 129
  147. 130
  148. 131
  149. 132
  150. 133
  151. 134
  152. 135
  153. 136
  154. 137
  155. About the Author
  156. An Invitation from the Publisher

‘Cecily Levin.’ She pointed at neat cursive writing at the bottom of the picture. ‘That’s her autograph.’

‘Did she work mainly in theatre?’

‘She did a lot of TV and some films.’ Norma placed the framed photograph back in its place on the desk.

Clay placed her contact card down in front of Norma.

‘Is there anything else you have to add about Francesca Christie?’

‘No. I hope she comes back safe and sound, and this missing business has all been a horrible mistake.’

‘I need to take the file containing Francesca’s internet activity away with me, Norma, and her work laptop and any other devices she may have used that you issued her with.’

‘Yes, of course. See Daniel Ball. He’ll sort you out. Good luck, DCI Clay.’

‘Call me if you think of anything you haven’t told me so far, Norma.’

64

9.25 am

In Interview Suite 2, Detective Sergeant Bill Hendricks faced Detective Sergeant Gina Riley across the table. Between them were the transcripts of online conversations between Sandra O’Day and Michael Towers, Annie Boyd and Richard Ezra, Amanda Winton and Thomas Saddler, and Francesca Christie and James Griffiths; sweet nothings to and from The Ghoul.

Riley looked at the clock on the wall and observed, ‘An hour and five minutes until he’s supposed to put in his call. Do you think he’ll follow through?’

‘He’s the one in a hurry. He’s got Francesca Christie. He wants Sally Haydn in captivity with her.’

‘Never mind the ifs, buts or maybes. We’ll find out for sure at half past ten. Focus on this. Let’s go again,’ said Hendricks. ‘Keep those two d words spinning at the front of your mind. Diffident and desperate.’

His face filled with a cheesy grin and he winked across the table. Riley laughed, but said, ‘This is serious, Bill.’

Hendricks fixed his face and said, ‘Hi, Sally, thank you so much for letting me call you.’

‘No problem, Geoff. Thank you for suggesting we talk rather than use the dating site. You get a much clearer idea of who a person is and what they’re like from direct conversation.’ Silence. ‘You’re quiet?’

‘I’m just a little nervous around the whole internet dating scene. I’m brand new to it, you see.’

‘Well, I’m a little nervous too.’

‘Don’t be nervous, Sally. I kept coming back to your profile over and over again and found myself hoping that we could enter into a real dialogue. I’m so glad we have.’

‘Me too, Geoff.’

‘Your picture on the website?’

‘It’s not a very good one.’

‘You’re mistaken. You look great.’

‘You’re teasing me?’