Just what the hell had happened? He knew there had been a fight; somehow, Cahill had fallen and cracked his skull, along with a few ribs, and the Travers woman and her car were missing. But what had been the impetus to start the altercation? How had it escalated? How had a grown, strapping man let a smaller woman get the better of him? And where the hell was Megan?

Christ, was she even alive?

Rivers let his mind imagine James Cahill as he’d seen him that night. The Cahill heir had been unconscious but was being tended to by two EMTs, a man and a woman, who had hoisted him onto a stretcher. There had been two deputies called to the scene to begin with, then he and Mendoza followed shortly. By then, the crime-scene techs were there, one of whom had discovered the wadded note on the floor near one of the side chairs by the window. The missive had been short and to the point:

J—
I’m leaving you.
This time forever.
You’ll never see me again!
M

The assumption had been that the note had come from Megan Travers. It was fairly dramatic and old school in this era of text messages, e-mail, and instant communication.

And why come here with the note? To leave it? Had she thought he’d been gone? Who had wadded it up? Had it even been recent? Was it from Megan? Or another woman? According to Knowlton, James Cahill had more than a few women interested in him. The note was in a woman’s handwriting, it seemed, but it could be fake. Possibly planted.

It just seemed out of place.

The lab would provide answers if there were any fingerprints or DNA left on the scrap of unlined paper. Why leave a note when you were face-to-face? Had she left the note earlier? Or, again, was it someone else?

He thought of the car speeding out of the driveway that Knowlton had spied. Presumably Megan’s. Presumably with her at the wheel.

Then again, he couldn’t presume anything.

“Where are you?” he asked under his breath.

Was she hiding?

Or dead?

Examining the room, he imagined the fight. Had it occurred right before the speeding car had left, or earlier? Had whoever was behind the wheel been involved? Certainly. That he would assume. Over a woman—or make that another woman, as Knowlton had suggested?

Was it possible that James Cahill had staged his own injuries?

That seemed too far-fetched. Too dangerous. He studied the hearth again . . . Anyone who had slammed his head against those bricks had to have been suicidal.

Or desperate.

Closing his eyes, he reached into his pocket, felt the gloves, and conjured up the vision of a woman coming at James. She is angry, her features twisted in fury, her hands swinging, nails sharp enough to gouge deep ruts in his flesh.