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Contents ( 45)
  1. ACKNOWLEDGMENTS
  2. CONTENTS
  3. IN THE BEGINNING . . .
  4. 1
  5. 2
  6. 3
  7. 4
  8. 5
  9. 6
  10. 7
  11. 8
  12. 9
  13. 10
  14. 11
  15. 12
  16. 13
  17. 14
  18. 15
  19. 16
  20. 17
  21. 18
  22. 19
  23. 20
  24. 21
  25. 22
  26. 23
  27. 24
  28. 25
  29. 26
  30. 27
  31. 28
  32. 29
  33. 30
  34. 31
  35. 32
  36. 33
  37. 34
  38. 35
  39. 36
  40. 37
  41. 38
  42. 39
  43. 40
  44. 41
  45. AND IN THE END . . .

“She doesn’t waste any time, does she?”

“Knocked me for a loop. I wasn’t serious about Stella until Teddy booted me out, and then what choice did I have? When we hashed out the settlement, Teddy got the condominium where the poor guy died. How’s that for irony?”

“Not good.”

“Everything’s gone downhill since then. Naturally, Teddy didn’t want the place, so she decided to sell. Forty-six hundred square feet and the real estate agent told her it was worth a million or more, because of the location.”

“Where is it?”

“Downtown Santa Teresa. The penthouse suite in a brand-new office building. Eighteen months it sat. Teddy was living in Bel Air by then and she got the bright idea we should get the place spiffed up, have a brochure printed, and promote the listing with real estate agents in Beverly Hills. Sure enough, a hotshot actor came along and paid full freight. This was a month ago. Ten-day escrow, all cash, and no contingencies. Close of sale I knew she’d whip in there and take everything that wasn’t nailed down, so I emptied the place before she could. She ended with a million in cash. You know what I got? Only the stuff I managed to sneak out from under her nose. Real estate goes in her column, used furniture in mine.”

He waited for my reaction, hoping for sympathy, which he clearly felt was warranted. I made a noncommittal mouth noise. These were not problems I could readily relate to.

33

I tried another subject, thinking a change in category might lighten the mood. “Do you and Teddy have children?”

“Not her. I have three with my first wife. The kids adored Teddy, but don’t have much use for this new one. They can’t believe I messed up. They’re barely speaking to me. Anyway, enough of that.”

I thought he meant he’d talked enough about Teddy and we were moving on to something else. But he said, “How did you meet her?”

“Who?”

“Teddy. I asked Nash and he said you’d tell me.”

“She called my office and said she needed help with a personal matter. The address she gave was the Clipper estate, so that’s where we met.”

I told him about “Hallie Bettancourt” and her sob story about the baby she gave up for adoption. “I assumed it was all true. She said her father was an architect who tore down the original mansion and designed the contemporary residence that’s up there now. Sounded right to me, and the setup was so elaborate, it never dawned on me the scene was arranged for my benefit.”

“Teddy in a nutshell. Why’d she pick you?”

“She said she wanted to hire a woman because she thought she’d find a sympathetic ear. This was one of the few things she said that still rings true in retrospect. She also said she needed a go-between so she could keep her name out of it. I think that was true as well.”