Back Woken Furies
Chapters (56)
  1. PROLOGUE
  2. PART 1
  3. ONE
  4. TWO
  5. THREE
  6. FOUR
  7. FIVE
  8. SIX
  9. SEVEN
  10. EIGHT
  11. PART 2
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. PART 3
  24. TWENTY
  25. TWENTY-ONE
  26. TWENTY-TWO
  27. TWENTY-THREE
  28. TWENTY-FOUR
  29. TWENTY-FIVE
  30. TWENTY-SIX
  31. TWENTY-SEVEN
  32. PART 4
  33. TWENTY-EIGHT
  34. TWENTY-NINE
  35. THIRTY
  36. THIRTY-ONE
  37. THIRTY-TWO
  38. THIRTY-THREE
  39. THIRTY-FOUR
  40. THIRTY-FIVE
  41. THIRTY-SIX
  42. THIRTY-SEVEN
  43. PART 5
  44. THIRTY-EIGHT
  45. THIRTY-NINE
  46. FORTY
  47. FORTY-ONE
  48. FORTY-TWO
  49. FORTY-THREE
  50. FORTY-FOUR
  51. FORTY-FIVE
  52. FORTY-SIX
  53. FORTY-SEVEN
  54. FORTY-EIGHT
  55. FORTY-NINE
  56. EPILOGUE

We forged through the tightly packed dancespace without incident. A couple of times, I had to shove hard to make progress but never got anything back beyond smiles, apologetic or just blissed-out vacant. The take scene is pretty laid back wherever you go on Harlan’s World—careful breeding has placed the most popular strains firmly in the euphoric part of the psychotropic spectrum and the worst you can expect from those under the influence is to be hugged and slobbered on amidst incoherent professions of undying love. There are nastier hallucinogenic varieties to be had, but generally nobody wants them outside of the military.

A handful of caresses and a hundred alarmingly wide smiles later, we made the foot of a metal ramp and tramped upward to where a pair of dockyard containers had been set up on scaffolding and fronted in mirror wood panelling. Reflected light from the holos smashed off their chipped and dented surfaces. My escort led me to the left-hand container, pressed a hand to a chime pad and opened a previously invisible mirrored door panel. Really opened, like the hatch that opened onto the street. No flexportals here, it seemed. He stood aside to let me pass.

I stepped in and surveyed the scene. Foreground, a flushed Plex, dressed to the waist and struggling into a violently psychedelic silk blouse. Behind him, two women and a man lolled on a massive automould bed. They were all physically very young and beautiful, wore uniformly blank-eyed smiles, badly smeared bodypaint and not much else. It wasn’t hard to work out where Plex had got them from. Monitors for sweep-and-swoop microcams in the club outside were lined along the back wall of the container space. A constant shift of dancespace image marched through them. The fusion beat came through the walls, muffled but recognisable enough to dance to.

Or whatever.

“Hey Yukio, man. Let me get a look at you.” Plex came forward, raised his arms. He grinned uncertainly. “That’s a nice sleeve, man. Where’d you get that? Custom grown?”

I nodded at his playmates. “Get rid of them.”

“Uh, sure.” He turned back to the automould and clapped his hands.

“Come on, boys and girls. Fun’s over. Got to talk some business with the sam here.”

They went, grudgingly, like small children denied a late night. One of the women tried to touch my face as she passed. I twitched irritably away, and she pouted at me. The doorman watched them out, then cast a querying glance at Plex. Plex echoed the look to me.

“Yeah, him too.”

The doorman left, shutting out some of the music blast. I looked back at