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Woken Furies

Richard Morgan
Chapters (56)
  1. PROLOGUE
  2. PART 1
  3. ONE
  4. TWO
  5. THREE
  6. FOUR
  7. FIVE
  8. SIX
  9. SEVEN
  10. EIGHT
  11. PART 2
  12. NINE
  13. TEN
  14. ELEVEN
  15. TWELVE
  16. THIRTEEN
  17. FOURTEEN
  18. FIFTEEN
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. PART 3
  24. TWENTY
  25. TWENTY-ONE
  26. TWENTY-TWO
  27. TWENTY-THREE
  28. TWENTY-FOUR
  29. TWENTY-FIVE
  30. TWENTY-SIX
  31. TWENTY-SEVEN
  32. PART 4
  33. TWENTY-EIGHT
  34. TWENTY-NINE
  35. THIRTY
  36. THIRTY-ONE
  37. THIRTY-TWO
  38. THIRTY-THREE
  39. THIRTY-FOUR
  40. THIRTY-FIVE
  41. THIRTY-SIX
  42. THIRTY-SEVEN
  43. PART 5
  44. THIRTY-EIGHT
  45. THIRTY-NINE
  46. FORTY
  47. FORTY-ONE
  48. FORTY-TWO
  49. FORTY-THREE
  50. FORTY-FOUR
  51. FORTY-FIVE
  52. FORTY-SIX
  53. FORTY-SEVEN
  54. FORTY-EIGHT
  55. FORTY-NINE
  56. EPILOGUE

Woken Furies

Takeshi Kovacs Book 3

Richard Morgan

Fury (n):

1 a intense, disordered and often destructive rage …

2 wild, disordered force or activity

3a any of the three avenging deities who in Greek mythology punished crimes

3b an angry or vengeful woman

The New English Penguin Dictionary 2001

PROLOGUE

The place they woke me in would have been carefully prepared.

The same for the reception chamber where they laid out the deal. The Harlan family don’t do anything by halves and, as anyone who’s been Received can tell you, they like to make a good impression. Gold-flecked black décor to match the family crests on the walls, ambient subsonics to engender a tear-jerking sense that you’re in the presence of nobility. Some Martian artefact in a corner, quietly implying the transition of global custody from our long-vanished unhuman benefactors to the firmly modern hand of the First Families oligarchy. The inevitable holosculpture of old Konrad Harlan himself in triumphal planetary discoverer mode. One hand raised high, the other shading his face against the glare of an alien sun. Stuff like that.

So here comes Takeshi Kovacs, surfacing from a sunken bath full of tank gel, sleeved into who knows what new flesh, spluttering into the soft pastel light and helped upright by demure court attendants in cutaway swimming costumes. Towels of immense fluffiness to clean off the worst of the gel and a robe of similar material for the short walk to the next room. A shower, a mirror—better get used to that face, soldier—a new set of clothes to go with the new sleeve, and then on to the audience chamber for an interview with a member of the Family. A woman, of course. There was no way they’d use a man, knowing what they did about my background.

Abandoned by an alcoholic father at age ten, raised alongside two younger sisters, a lifetime of sporadically psychotic reaction when presented with patriarchal authority figures. No, it was a woman. Some urbane executive aunt, a secret service caretaker for the Harlan family’s less public affairs. An understated beauty in a custom-grown clone sleeve, probably in its early forties, standard reckoning.

“Welcome back to Harlan’s World, Kovacs-san. Are you comfortable?”

“Yeah. You?”

Smug insolence. Envoy training conditions you to absorb and process environmental detail at speeds normal humans can only dream about. Looking around, the Envoy Takeshi Kovacs knows in split seconds, has known since the sunken bath awakening, that he’s in demand.

“I? You may call me Aiura.” The language is Amanglic, not Japanese, but the beautifully constructed misunderstanding of the question, the elegant evasion of offence without resorting to outrage, traces a clean line back to the First Families’ cultural roots. The woman gestures, equally elegantly. “Though who I am isn’t very important in this matter. I think it’s clear to you who I represent.”