Back Wizard and Glass
Chapters (38)
  1. ARGUMENT
  2. PROLOGUE
  3. PART ONE
  4. Chapter I
  5. Chapter II
  6. Chapter III
  7. Chapter IV
  8. Chapter V
  9. PART TWO
  10. Chapter I
  11. Chapter II
  12. Chapter III
  13. Chapter IV
  14. Chapter V
  15. Chapter VI
  16. Chapter VII
  17. Chapter VIII
  18. Chapter IX
  19. Chapter X
  20. INTERLUDE
  21. PART THREE
  22. Chapter I
  23. Chapter II
  24. Chapter III
  25. Chapter IV
  26. Chapter V
  27. Chapter VI
  28. Chapter VII
  29. Chapter VIII
  30. Chapter IX
  31. Chapter X
  32. PART FOUR
  33. Chapter I
  34. Chapter II
  35. Chapter III
  36. Chapter IV
  37. Chapter V
  38. AFTERWORD

The vaquero was wearing a heavy serape; if this particular cowboy had the breasts of a woman, they were concealed. The vaq wore a large, sweat-stained sombrero; if this cowboy had the face of a woman, it was likewise concealed. Low, from beneath that hat’s broad brim, came a voice singing “Careless Love.”

The mule’s small saddle was buried under the large bundle which had been roped to it—cloth or clothes of some kind, it might have been, although the deepening shadows made it impossible to say for sure. Most amusing of all was what hung around the mule’s neck like some peculiar reap-charm: two sombreros and a drover’s hat strung on a length of rope.

As the vaq neared the Sheriff’s office, the singing ceased. The place might have been deserted if not for the single dim light shining through one window. In the porch rocker was a comical stuffy-guy wearing one of Herk Avery’s embroidered vests and a tin star. There were no guards; absolutely no sign that the three most hated men in Mejis were sequestered within. And now, very faintly, the vaquero could hear the strum of a guitar.

It was blotted out by a thin rattle of firecrackers. The vaq looked over one shoulder and saw a dim figure. It waved. The vaquero nodded, waved back, then tied the mule to the hitching-post—the same one where Roland and his friends had tied their horses when they had come to introduce themselves to the Sheriff, on a summer day so long ago.

11

The door opened—no one had bothered to lock it—while Dave Hollis was trying, for about the two hundredth time, to play the bridge of “Captain Mills, You Bastard.” Across from him, Sheriff Avery sat rocked back in his desk chair with his hands laced together on his paunch. The room flickered with mild orange lamplight.

“You keep it up, Deputy Dave, and there won’t have to be any execution,” Cuthbert Allgood said. He was standing at the door of one of the cells with his hands wrapped around the bars. “We’ll kill ourselves. In self-defense.”

“Shut up, maggot,” Sheriff Avery said. He was half-dozing in the wake of a four-chop dinner, thinking of how he would tell his brother (and his brother’s wife, who was killing pretty) in the next Barony about this heroic day. He would be modest, but he would still get it across to them that he’d played a central role; that if not for him, these three young ladrones might have—

“Just don’t sing,” Cuthbert said to Dave. “I’ll confess to the murder of Arthur Eld himself if you just don’t sing.”