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Chapters (38)
  1. ARGUMENT
  2. PROLOGUE
  3. PART ONE
  4. Chapter I
  5. Chapter II
  6. Chapter III
  7. Chapter IV
  8. Chapter V
  9. PART TWO
  10. Chapter I
  11. Chapter II
  12. Chapter III
  13. Chapter IV
  14. Chapter V
  15. Chapter VI
  16. Chapter VII
  17. Chapter VIII
  18. Chapter IX
  19. Chapter X
  20. INTERLUDE
  21. PART THREE
  22. Chapter I
  23. Chapter II
  24. Chapter III
  25. Chapter IV
  26. Chapter V
  27. Chapter VI
  28. Chapter VII
  29. Chapter VIII
  30. Chapter IX
  31. Chapter X
  32. PART FOUR
  33. Chapter I
  34. Chapter II
  35. Chapter III
  36. Chapter IV
  37. Chapter V
  38. AFTERWORD

She hoisted the box under one arm, hoisted her skirts with her free hand, and ran back along the path to the hut. She could still run when she had to, aye, though few there were who’d believe it.

Musty ran at her heels, bounding along with his cloven tail held high and his extra legs flopping up and down in the moonlight.

Chapter II

PROVING HONESTY

1

Rhea darted into her hut, crossed in front of the guttering fire, then stood in the doorway to her tiny bedroom, swiping a hand through her hair in a distracted gesture. The bitch hadn’t seen her outside the hut—she surely would have stopped caterwauling, or at least faltered in it if she had—and that was good, but the cursed hidey-hole had sealed itself up again, and that was bad. There was no time to open it again, either. Rhea hurried to the bed, knelt, and pushed the box far back into the shadows beneath.

Ay, that would do; until Susy Greengown was gone, it would do very well. Smiling on the right side of her mouth (the left was mostly frozen), Rhea got up, brushed her dress, and went to meet her second appointment of the night.

2

Behind her, the unlocked lid of the box clicked open. It came up less than an inch, but that was enough to allow a sliver of pulsing rose-colored light to shine out.

3

Susan Delgado stopped about forty yards from the witch’s hut, the sweat chilling on her arms and the nape of her neck. Had she just spied an old woman (surely the one she had come to see) dart down that last bit of path leading from the top of the hill? She thought she had.

Don’t stop singing—when an old lady hurries like that, she doesn’t want to be seen. If you stop singing, she’ll likely know she was.

For a moment Susan thought she’d stop anyway—that her memory would close up like a startled hand and deny her another verse of the old song which she had been singing since youngest childhood. But the next verse came to her, and she continued on (with feet as well as voice):

“Once my cares were far away,

Yes, once my cares were far away,

Now my love has gone from me

And misery is in my heart to stay.”