The Hambry version of this quaint tale featured lovers named Robert and Francesca, and had happened in the old days, before the world had moved on. The site of the supposed murder-suicide was the Hambry cemetery, the stone with which Francesca’s brains had been dashed out was a slate marker, and the granite wall against which Robert had been leaning when he clipped his blowpipe had been the Thorin mausoleum. (It was doubtful there had been any Thorins in Hambry or Mejis five generations back, but folk-tales are, at best, generally no more than lies set in rhyme.)

True or untrue, the graveyard was considered haunted by the ghosts of the lovers, who could be seen (it was said) walking hand-in-hand among the markers, covered with blood and looking wistful. It was thus seldom visited at night, and was a logical spot for Roland, Cuthbert, Alain, and Susan to meet.

By the time the meeting took place, Roland had begun to feel increasingly worried... even desperate. Susan was the problem—or, more properly put, Susan’s aunt. Even without Rhea’s poisonous letter to help the process along, Cordelia’s suspicions of Susan and Roland had hardened into a near certainty. On a day less than a week before the meeting in the cemetery, Cordelia had begun shrieking at Susan almost as soon as she stepped through the house door with her basket over her arm.

“Ye’ve been with him! Ye have, ye bad girl, it’s written all over yer face!”

Susan, who had that day been nowhere near Roland, could at first only gape at her aunt. “Been with who?”

“Oh, be not coy with me, Miss Oh So Young and Pretty! Be not coy, I pray! Who does all but wiggle his tongue at ye when he passes our door? Dearborn, that’s who! Dearborn! Dearborn! I’ll say it a thousand times! Oh, shame on ye! Shame! Look at yer trousers! Green from the grass the two of ye have been rolling in, they are! I’m surprised they’re not torn open at the crutch as well!” By then Aunt Cord had been nearly shrieking. The veins in her neck stood out like rope.

Susan, bemused, had looked down at the old khaki pants she was wearing.

“Aunt, it’s paint—don’t you see it is? Chetta and I’ve been making Fair-Day decorations up at Mayor’s House. What’s on my bottom got there when Hart Thorin—not Dearborn but Thorin—came upon me in the shed where the decorations and fireworks are stored. He decided it was as good a time and place as any to have another little wrestle. He got on top of me, shot his squirt into his pants again, and went off happy. Humming, he was.” She wrinkled her nose, although the most she felt for Thorin these days was a kind of sad distaste. Her fear of him had passed.