Back Wintering
Chapters (49)
  1. Cover
  2. Title Page
  3. Copyright Notice
  4. Dedication
  5. 1. “Morning Song”
  6. 2. “The Couriers”
  7. 3. “The Rabbit Catcher”
  8. 4. “Thalidomide”
  9. 5. “The Applicant”
  10. 6. “Barren Woman”
  11. 7. “Lady Lazarus”
  12. 8. “Tulips”
  13. 9. “A Secret”
  14. 10. “The Jailor”
  15. 11. “Cut”
  16. 12. “Elm”
  17. 13. “The Night Dances”
  18. 14. “The Detective”
  19. 15. “Ariel”
  20. 16. “Death & Co.”
  21. 17. “Magi”
  22. 18. “Lesbos”
  23. 19. “The Other”
  24. 20. “Stopped Dead”
  25. 21. “Poppies in October”
  26. 22. “The Courage of Shutting-Up”
  27. 23. “Nick and the Candlestick”
  28. 24. “Berck-Plage”
  29. 25. “Gulliver”
  30. 26. “Getting There”
  31. 27. “Medusa”
  32. 28. “Purdah”
  33. 29. “The Moon and the Yew Tree”
  34. 30. “A Birthday Present”
  35. 31. “Letter in November”
  36. 32. “Amnesiac”
  37. 33. “The Rival”
  38. 34. “Daddy”
  39. 35. “You’re”
  40. 36. “Fever 103°”
  41. 37. “The Bee Meeting”
  42. 38. “The Arrival of the Bee Box”
  43. 39. “Stings”
  44. 40. “The Swarm”
  45. 41. “Wintering”
  46. Postscript
  47. Author’s Note
  48. Acknowledgments and Permissions
  49. Also by Kate Moses

She’d known this house was her omen as soon as she saw it; she’s been counting on it (while the leasing agent sluggishly pondered her references) for a month. Jokingly, back at Court Green after finding the flat, she’d pulled out a volume of Yeats’s plays from the bookshelves in the front parlor and told Sue the baby-minder she was looking for a sign. She needed benevolent spirits; she needed all the protection she could gather to herself. The page fell open, her finger marking a line in The Unicorn from the Stars: Get wine and food to give you strength and courage, and I will get the house ready.

In the fall orchard at Court Green, seventy-two trees hung with apples. She had borrowed a neighbor’s long-handled picker and harvested all she could, a canvas sack slung across her breastbone, a three-legged ladder moving with her through the orchard, propped against the gnarled old trunks. Victoria cookers ripe in September, picked with Ted in joyless silence before the final Ireland rupture; then Pig’s Noses and russeted Bramley’s Seedlings in October, all layered now in straw in the wine cellar at Court Green but for the bag she filled for London. The honey from her new bees, also, she extracted, leaving the bees enough to winter over, supplemented with plates of sugar syrup, pie tins slow with Tate & Lyle left beneath the bare-branched fruit trees. Potatoes and onions as well dug up, the potatoes scrubbed, the dry platinum hair of the onions braided in a day-long session before the movers came. Just prior to leaving, with Sue amusing the babies and toting the last loads of storybooks and toys out to the Morris Traveller, she carried her clippers and an old pillowcase across the front lawn and cut a treacherous armload of holly. It was downstairs now, arranged in her pewter vase in the unpainted parlor, its red berries plump and shiny, the white-tipped leaves still green and supple, sharp as razors.

The houses lining the mews this dawn behind Fitzroy Road are edged in pink, suspended in a pastel nimbus of foggy illumination as the sun creeps beyond their rooftops. At her desk before the window, Sylvia sits in the sunrise quiet, her room, her papers, her flannel nightgown washed in thin blue light. She’s risen today as she has every day since Ted left her in Ireland in September: While her two children sleep in their cribs, she has gone to her desk before sunrise, a habit begun as a way to give form to her suddenly nebulous days. Sleepless with the unknown, scenes from her marriage unreeling like a nightmare movie in her head, she needed a defense to stave off the creep of her misery.