Chapters (49)
- Cover
- Title Page
- Copyright Notice
- Dedication
- 1. “Morning Song”
- 2. “The Couriers”
- 3. “The Rabbit Catcher”
- 4. “Thalidomide”
- 5. “The Applicant”
- 6. “Barren Woman”
- 7. “Lady Lazarus”
- 8. “Tulips”
- 9. “A Secret”
- 10. “The Jailor”
- 11. “Cut”
- 12. “Elm”
- 13. “The Night Dances”
- 14. “The Detective”
- 15. “Ariel”
- 16. “Death & Co.”
- 17. “Magi”
- 18. “Lesbos”
- 19. “The Other”
- 20. “Stopped Dead”
- 21. “Poppies in October”
- 22. “The Courage of Shutting-Up”
- 23. “Nick and the Candlestick”
- 24. “Berck-Plage”
- 25. “Gulliver”
- 26. “Getting There”
- 27. “Medusa”
- 28. “Purdah”
- 29. “The Moon and the Yew Tree”
- 30. “A Birthday Present”
- 31. “Letter in November”
- 32. “Amnesiac”
- 33. “The Rival”
- 34. “Daddy”
- 35. “You’re”
- 36. “Fever 103°”
- 37. “The Bee Meeting”
- 38. “The Arrival of the Bee Box”
- 39. “Stings”
- 40. “The Swarm”
- 41. “Wintering”
- Postscript
- Author’s Note
- Acknowledgments and Permissions
- Also by Kate Moses
Moving to Court Green: that, too, was complex. Sylvia’s soul-work required motherhood and all that entailed; she needed, as well, to be freed from distraction, to give her mind rein: the combination a hazardous paradox. He, too, had wanted to retreat from distraction, the tug of a public literary life, increasingly interruptive in London. His was a dream of rooms, of landscapes, empty but of words, unburdened. They had isolated themselves purposely, and thereby created their own undoing. Life in exile had put them under the microscope of each other’s incessant scrutiny, one mind become incendiary and suffocating, nothing left to breathe. It had been maddening, to strangle under such cultivated fecundity. This house, their joined life to be unfurled in it, had seemed so rare and fine a thing. The dream had seemed so real.
Dematerializing at dawn with his rod and tied flies, waiting silent in the shallows of the leaf-lit riverbed, otters bellying down the Taw’s grassy bank beside him, unaware—he had waited for, looked for disruption, the bubbles escaping at the surface; had finally made it himself—unwittingly? Fatedly? It would be a relief to believe so. His one unilateral move: now he couldn’t move at all. Tied down like Gulliver, boxed up like their summer order of bees, huddling themselves alive in the snowy orchard. His every flinch, now, become something violent, as much a sting to himself as to everyone he’d become authorized to hurt. It had been insane. All of it? Not all, but some, certainly most of the last six months. So much lost now, historic regardless, to the finality of her fiat, which he dutifully, guiltily, obeys.
If not for the snow, he could have arrived at Court Green by early evening, gathered Sylvia’s supplies, resecured the house, and made it to London late that same night, back for a few last days of incremental removal from Dido’s place: a mattress, table and chair held back for his use—settling in their austerity—all that was left of her mother’s Edwardian trove. The leasing agents had already taken possession, their full-barreled showcasing of the flat waiting only, at Dido’s request, for Ted to turn in his key.
The sun is a memory, hours past down, set behind the dense, whitened crown of the churchyard yew, but the snow supplies its own light. He’s made it. All that had kept him on edge, tense with concentration as he peered through the sweeping wiper blades, looking for the road through the blinding, driving snow, falters unceremoniously into a nearly disorienting exhaustion. Melting snow had long ago seeped through the seams of his boots, his wool socks; his feet sting with wet so cold it feels like burning. He climbs out of the cab, shutting the rusting door.
Her apples, her onions and potatoes, her red corduroy, her honey.