Chapters (49)
- Cover
- Title Page
- Copyright Notice
- Dedication
- 1. “Morning Song”
- 2. “The Couriers”
- 3. “The Rabbit Catcher”
- 4. “Thalidomide”
- 5. “The Applicant”
- 6. “Barren Woman”
- 7. “Lady Lazarus”
- 8. “Tulips”
- 9. “A Secret”
- 10. “The Jailor”
- 11. “Cut”
- 12. “Elm”
- 13. “The Night Dances”
- 14. “The Detective”
- 15. “Ariel”
- 16. “Death & Co.”
- 17. “Magi”
- 18. “Lesbos”
- 19. “The Other”
- 20. “Stopped Dead”
- 21. “Poppies in October”
- 22. “The Courage of Shutting-Up”
- 23. “Nick and the Candlestick”
- 24. “Berck-Plage”
- 25. “Gulliver”
- 26. “Getting There”
- 27. “Medusa”
- 28. “Purdah”
- 29. “The Moon and the Yew Tree”
- 30. “A Birthday Present”
- 31. “Letter in November”
- 32. “Amnesiac”
- 33. “The Rival”
- 34. “Daddy”
- 35. “You’re”
- 36. “Fever 103°”
- 37. “The Bee Meeting”
- 38. “The Arrival of the Bee Box”
- 39. “Stings”
- 40. “The Swarm”
- 41. “Wintering”
- Postscript
- Author’s Note
- Acknowledgments and Permissions
- Also by Kate Moses
She did come by in the afternoons, bringing her apple ladder, her honey extractor, two kittens as a surprise for Frieda; burlap sacks to store the onions and to cover the combs they harvested. Now you’ll have to feed your bees, she told Sylvia as they cranked the handle of the centrifugal cylinder in which they’d loaded the uncapped, dripping combs. Dusty late September sunlight fanned in through the open doors of the barn, a deception of the cool afternoon. Glass Mason jars that Sylvia had boiled were lined up on the cobbles, ready to be filled. The job was messy, but the women kept their jackets on under their aprons. There’s not much pollen left to forage, and without enough honey the colony won’t last the winter, the midwife explained, her kind, pragmatic face set determinedly as she spun the galvanized crank. They close up shop, so to speak, but they still need to eat. Tate & Lyle, corn syrup, even granulated sugar is fine.
Tate & Lyle, that’s what Sylvia has brought; she pries the metal lid off with a butter knife. As the syrup oozes slowly from its tin onto the pie pan she sets in tamped-down grass near the entrance to the hive, she watches the bees; the guard bees come to inspect her, pinging around her shoulders as if on elastics, beyond the cheesecloth draping of her veiled hat, and buzzing back to the hive to report. A few aging scouts and foragers returning from late reconnaissance in the fields, their wings all but shredded from the summer’s flights. But the most dramatic activity is the commotion at the hive door, where bees were pouring out, not in. There, workers are pushing the larger drones out the gabled entrance. Hovering, humming, cowering in clusters, the fat-bottomed drones try to crawl back up the wooden frame past the waiting line of workers, who pinch the male bees and push them away, literally dragging pupal drones clear of the hive and dropping them into the grass. As she watches, Sylvia realizes what the workers are doing. The midwife had told her about this. Winter is coming; there will be no room for bees who have no purpose, who eat up all the honey, whose only job is to mate with the queen in spring. The workers, the sisters, are doing what has to be done. They are evicting the useless drones. They are getting rid of the men.
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