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Chapters (31)
  1. Cover
  2. Title
  3. Copy Right
  4. Dedication
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27

Now—now he was committed, the truth was something he had to uncover, for his own peace of mind. For the policeman in him who had to look at the good and the evil in human nature and live with its impact in his own soul.

What right had O. A. Manning to survive unscathed the nightmares of Olivia Marlowe? What right had she to be praised and revered as a creator of beauty, if she had been a woman without mercy or compassion?

Stephen FitzHugh had been left as Olivia’s literary executor. To decide which of her papers and her worksheets biographers and critics and readers might see. And now, through no fault of his own, he was dead, and neither Rachel nor Susannah seemed to be particularly interested in shouldering the responsibility. Cormac, by his own admission, was more likely to destroy any family skeletons than allow them to rattle. The O. A. Manning he might choose to show to the public would be Olivia Marlowe’s own public face, a quiet recluse who knew very little about the real world and yet had a wondrous insight into the human heart, a gift from God.

Or the devil. Depending on your knowledge of her.

Even if he, Rutledge, drove back to London in the morning, he would be the only person living who had proof that what Cormac suspected could be true. His burden to learn to live with. Not Corrnac’s. Not Susannah’s. Not Rachel’s.

Damn Stephen FitzHugh for falling down those blasted stairs!

If he stayed in Cornwall, he’d have to find a way to get to the bottom of a string of murders committed by a woman already dead.

But that was just the problem.

Olivia Marlowe had been buried. It was O. A. Manning who was still alive—and possibly had no right to be.

And when he, Rutledge, found out the whole truth, what in hell would he do about it? Deliberately destroy the author of Wings of Fire? Bring down the beauty and the genius along with the cruelty and the lies?

“You’ve been executioner once.” Hamish warned him. “And you no’ have forgotten it. Will ye choose to do it again, then?”

Rutledge turned and walked back towards the house and the path to the village.

“If I have to,” he said bitterly.

Chapter 11

11

The next morning Rutledge sent a carefully worded message to London.

“Background material sparse but enlightening. No determination of crime possible at this time. Will take several more days, if presence not required in City.”

Nothing to alarm Bowies, nothing to prevent Rutledge from coming to any conclusion he chose. And he had a feeling his superior would not be anxious to see him in London straight away.