Chapters (21)
I looked for the Indian woman, whose feet I saw disappearing up to the changing room. I clung to the edge of the pool and watched the beef-colored figure clamber out. I watched how, with his back to me, he rubbed himself briefly with a towel. Then he flung it over his shoulder and sauntered past above my head. White sodden trunks, half-stiff prick, swimming goggles. I’ve lost her, I thought, and glanced across the pool at the same instant the hairy man in the first lane dove because the woman with the shaved genitals was passing by, doing the crawl. And I looked down: my white feet on the narrow ledge, beneath me the deeps, clinical and descaled. Emilie’s hand in mine. A step, the suction, and then off to other realms.125126
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PUSHKIN PRESS
Pushkin Press was founded in 1997, and publishes novels, essays, memoirs, children’s books—everything from timeless classics to the urgent and contemporary.
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THE SPECTRE OF ALEXANDER WOLF
GAITO GAZDANOV
‘A mesmerising work of literature’ Antony Beevor
SUMMER BEFORE THE DARK
VOLKER WEIDERMANN
‘For such a slim book to convey with such poignancy the extinction of a generation of “Great Europeans” is a triumph’ Sunday Telegraph
MESSAGES FROM A LOST WORLD
STEFAN ZWEIG
‘At a time of monetary crisis and political disorder… Zweig’s celebration of the brotherhood of peoples reminds us that there is another way’ The Nation
THE EVENINGS
GERARD REVE
‘Not only a masterpiece but a cornerstone manqué of modern European literature’ Tim Parks, Guardian 128
BINOCULAR VISION
EDITH PEARLMAN
‘A genius of the short story’ Mark Lawson, Guardian
IN THE BEGINNING WAS THE SEA
TOMÁS GONZÁLEZ
‘Smoothly intriguing narrative, with its touches of sinister, Patricia Highsmith-like menace’ Irish Times
BEWARE OF PITY
STEFAN ZWEIG
‘Zweig’s fictional masterpiece’ Guardian
THE ENCOUNTER
PETRU POPESCU
‘A book that suggests new ways of looking at the world and our place within it’ Sunday Telegraph
WAKE UP, SIR!
JONATHAN AMES
‘The novel is extremely funny but it is also sad and poignant, and almost incredibly clever’ Guardian
THE WORLD OF YESTERDAY
STEFAN ZWEIG
‘The World of Yesterday is one of the greatest memoirs of the twentieth century, as perfect in its evocation of the world Zweig loved, as it is in its portrayal of how that world was destroyed’ David Hare
WAKING LIONS
AYELET GUNDAR-GOSHEN
‘A literary thriller that is used as a vehicle to explore big moral issues. I loved everything about it’ Daily Mail
FOR A LITTLE WHILE
RICK BASS