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Chapters (92)
  1. Cover
  2. Maps
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Chapter 78
  83. Chapter 79
  84. Chapter 80
  85. Chapter 81
  86. Chapter 82
  87. Chapter 83
  88. Chapter 84
  89. Chapter 85
  90. Chapter 86
  91. Epilogue
  92. About the Author

The question is whether familial relationships have anything at all to do with the case, Karen thinks. William may be related to both victims, but he won’t inherit a penny. And he has an alibi, at least for Fredrik’s murder, she reminds herself.

The person who does stand to gain from killing first, Fredrik, then his grandson, is Gabriel’s wife, Katja. Since their divorce is not final, she’s going to inherit both the house she and Gabriel shared and the things he inherited from his grandfather before he died. But Karen is far from convinced a mother of two would kill, or hire a hitman to kill, two people for nothing more than 70,000 marks and a couple of houses on Noorö.

Karen closes the family tree and clicks on the next link. Fredrik Stuub has collected a large number of random documents and facts about ship settings, burial mounds and megaliths around the world, along with photographs and various theories about their function and dating. One of the folders also contains a map of the north-eastern part of Noorö, with roads marked in red. The last document is a PDF entitled Environmental impact assessment. Expansion of Gudheim Hotel and Conference Centre.

She sighs and starts to skim the report, registering words like exploited area, cultural impact statement, eastward relocation of road, significant costs, development plan and minor impact. I’m going to have to ask someone else to look at this, too, she realises and leans back in her chair. From what she can gather, the report’s conclusion is that the expansion can be approved on the condition that the original plan for the building of a new road can be amended. More expensive than planned, but still possible, in other words.

If this was the document Fredrik Stuub was planning to use to sink the Groths’ expansion plans, he was probably barking up the wrong tree, she muses and stretches out her stiff neck. A slight headache is beginning to make itself known.

She continues to plough through document after document, alternating from time to time with Fredrik Stuub’s search history. When she gets to the folder entitled ‘Work’ she suddenly sits up straighter. The document she’s staring at is entitled Employment following retirement and is a contract between Ravenby University and Docent Emeritus Fredrik Stuub.

Karen googles the university’s website and reaches for the phone.

Chapter 44

44

‘Jenny speaking!’

The voice sounds cheerfully winded, as though the rector of Ravenby University is in the middle of an Instagram-worthy workout and would love to tell whoever’s calling all about it but as soon as Karen introduces herself and says why she’s calling, Jenny Older’s tone loses some of its eagerness.