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Chapters (92)
  1. Cover
  2. Maps
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Chapter 66
  71. Chapter 67
  72. Chapter 68
  73. Chapter 69
  74. Chapter 70
  75. Chapter 71
  76. Chapter 72
  77. Chapter 73
  78. Chapter 74
  79. Chapter 75
  80. Chapter 76
  81. Chapter 77
  82. Chapter 78
  83. Chapter 79
  84. Chapter 80
  85. Chapter 81
  86. Chapter 82
  87. Chapter 83
  88. Chapter 84
  89. Chapter 85
  90. Chapter 86
  91. Epilogue
  92. About the Author

They eat in silence. The only sound is their determined chewing; neither one of them is in the mood to talk. Instead, they go over, each in their own mind, the events of the night before. Karen recaps in reverse. At quarter past three, a taxi dropped them off at the studio. While she paid the driver, Marike, who had apparently taken off her high heels, had tottered through the several inches of snow blanketing the pavement in her stocking feet. At the last second, Karen had remembered to pick up her friend’s brand-new Louboutin pumps from the car floor. Then, despite being thoroughly hammered, she had managed to usher the considerably drunker Marike through the front door of the studio.

Now, her knee is throbbing and she can tell she has several big blisters on her feet. Had she danced? No, she assures herself, not a chance, I haven’t danced in over a decade. Then it all comes back to her. Yes, she had danced. With Brynn, with Eirik. With the bitter actor whose wife is on her way to Hollywood. And then with Leo.

He’d performed, she suddenly remembers – against his will. He’d been talked into it by Jason Lavar, who had started the new year off by playing a few songs and then announcing that his big idol, Leo Friis, was in the room. He had then asked, in front of the entire party, if Leo would do him the honour of joining him on stage for a couple of songs. Startled and alarmed, Kore had tried to intervene, torn between a need to keep Jason Lavar happy and his instinct to protect Leo, who had made it perfectly clear he didn’t want to play in front of an audience ever again. Not 30,000 people in an arena, not 150 people in a house in Thingwalla. But Jason Lavar had insisted.

In the end, Leo had reluctantly climbed up on stage, no doubt only because he knew he’d draw even more attention to himself by refusing. Karen had noticed his hands shaking as he picked up the guitar, his eyes darting nervously around the room, as though looking for a last-minute escape route. A deer in headlights, she’d thought. Exactly how he had described her.

But she’d also noticed that halfway through the first song, his anxiety had subsided a little. She’d noticed the corner of his mouth twitching when he played the intro to the second. And she’d noticed his relief when it was over and he could get off the stage. But before then, something else. Another side of Leo.

Afterwards, she’d asked him to dance.

‘Musicians don’t dance,’ he’d replied.

‘Neither do I. And you don’t have to move out if you don’t want to,’ she’d said.

‘OK.’

*