Back Wild Dog
Chapters (64)
  1. Cover
  2. Part I
  3. July 1914
  4. Spring 2017
  5. August 1914
  6. Spring 2017
  7. August 1914
  8. August 2017
  9. August 1914
  10. August 2017
  11. August 1914
  12. August 2017
  13. August 1914
  14. August 2017
  15. August 1914
  16. August 2017
  17. September 1914
  18. August 2017
  19. Part II
  20. September 1914
  21. August 2017
  22. September 1914
  23. August 2017
  24. September 1914
  25. August 2017
  26. September 1914
  27. August 2017
  28. October 1914
  29. August 2017
  30. October 1914
  31. August 2017
  32. October 1914
  33. August 2017
  34. October 1914
  35. August 2017
  36. October 1914
  37. August 2017
  38. May 1915
  39. August 2017
  40. May 1915
  41. August 2017
  42. May 1915
  43. August 2017
  44. Part III
  45. August 2017
  46. May 1915
  47. August 2017
  48. May 1915
  49. August 2017
  50. June 1915
  51. August 2017
  52. July 1915
  53. August 2017
  54. July 1915
  55. August 2017
  56. July 1915
  57. August 2017
  58. July 1915
  59. August 2017
  60. July 1915
  61. August 2017
  62. July 1915
  63. August 2017
  64. Epilogue

In the bathroom, the style of the music changed. For a while it had only been playing classical music, but it suddenly switched to country. A female singer with a mournful voice over a banjo melody gave a Western feel to the sun setting over the hills. Finding himself in this environment, alone in this wild landscape, Franck could easily imagine himself producing a Western, but one set in the countryside, perhaps even right here, though the stone house wouldn’t really go with it. He looked around and he wondered who had lived here. What kind of person could have decided to live so far away from everyone else, in such a remote area? They must have had a spirit of adventure and done work that didn’t involve interacting with people.

He would never get the funding for a European Western. Anyway, Westerns didn’t make money any more, not even in the US. Unless it was a minimalist Western, with just a few characters, some panoramic shots of deep, isolated countryside, and with that particular kind of light, like Days of Heaven, a whole film shot in the red glow of sunset. Just then he noticed something stirring at the very bottom of the long meadow in front of him. He could see the grass shaking with jerky little movements. Franck lifted his head for a better view, without getting up from his chair. There was a creature all the way over by the trees, a small animal about a hundred and fifty metres away that he could barely see; it must have been a rabbit hopping from place to place, or a hare – he couldn’t tell the difference. The dog was still half asleep, eyes closed, but he sensed that Franck had spotted something; he pricked up his ears and looked at Franck, again waiting for an order. Franck tried not to return his gaze, for fear of influencing him. But he couldn’t help himself, probably because of the country music, which was becoming less and less melancholy. Franck felt the hunting instinct take hold of him, and he wanted to unleash something in this peaceful setting. He wanted to set off some wild chain of events to see if he really had any power over the environment around him. He suddenly wanted action, vigorous action, and he wanted to act the cowboy, one of the tough cowboys who are in control of their surroundings and are part of the cycle of life, deciding on the fate of animals as well as humans.

‘Alpha! What’s that over there? Eh? What’s over there?’