Back Whispers Under Ground
Chapters (44)
  1. Cover
  2. Title Page
  3. Epigraph
  4. Sunday
  5. 1. Tufnell Park
  6. Monday
  7. 2. Baker Street
  8. 3. Ladbroke Grove
  9. 4. Archway
  10. 5. The Barbican
  11. Tuesday
  12. 6. Sloane Square
  13. 7. Nine Elms
  14. 8. Southwark
  15. 9. Shepherd’s Bush Market
  16. Wednesday
  17. 10. Russell Square
  18. 11. Brixton
  19. 12. Barbican
  20. 13. Sloane Square
  21. Thursday
  22. 14. Westbourne Park
  23. 15. Bayswater
  24. 16. South Wimbledon
  25. 17. Bayswater
  26. Friday
  27. 18. Notting Hill Gate
  28. 19. Ladbroke Grove
  29. 20. Holland Park
  30. 21. Oxford Circus
  31. 22. Warren Street
  32. Saturday
  33. 23. Warren Street
  34. 24. Sloane Square
  35. 25. Ladbroke Grove
  36. Christmas Day
  37. 26. Sloane Square
  38. Boxing Day and Beyond
  39. 27. Tottenham Court Road
  40. 28. Biggin Hill
  41. 29. Mornington Crescent
  42. Acknowledgements
  43. Also by Ben Aaronovitch
  44. Copyright

‘Can I help you?’ he asked in tones that indicated that he thought it was unlikely.

‘I’m Peter Grant with the Metropolitan Police,’ I said.

‘Really?’ he said and I swear his face lit up. ‘How can I help you?’

I told him that I was looking into report of ‘disturbances’ at the address and had he noticed anything?

The man, who really was the architect, asked when the ‘disturbances’ occurred and, when I told him the previous week, gave me a relieved smile.

‘It wasn’t us, Officer,’ said the man. ‘None of us were here last week.’

Given the scaffolding and how much of the interior was missing they must be working bloody fast – I said so, which got a laugh.

‘If only,’ said the man. ‘We’ve been at this since March. We had to suspend work last week. We were waiting for some marble, white Carrara in fact, and it just completely failed to arrive and until it did arrive, what was I to do?’

He’d sent his contingent of Poles, Romanians and Croats home for the week.

‘I still paid them,’ he said. ‘I’m not entirely heartless.’

‘Was there any sign of a break-in?’ I asked.

Not that he’d noticed, but I was welcome to ask his workers, which I did despite the language barrier. Only one guy reported anything, and that was a vague sense that things might have been moved around while they were gone. I asked them if they’d enjoyed their week off, but they all said they’d gone and found casual work.

Before I left I asked if I could have a quick look round and the architect told me to help myself. The first two storeys of the house had been knocked out. I could see the remnants of the plaster moulding and a dirty line of exposed brickwork like a high tide mark. As I stepped into the middle I got a flash of piano music, a bit of tortured pub upright, roll out the barrel, knees up Mother Brown, it does you good to get out of an evening. And with the piano the smell of gunpowder and patchouli oil and the flick flick flick of an old-fashioned film projector.

It was vestigium, almost a lacuna – a pocket of residual magical effect. Or, as Lesley put it, that feeling where someone walks over your grave. Something magical had happened in the house, but unfortunately all I could tell was either it was recent or very strong and a long time ago.

When I came out I did a quick canvass of the houses either side. Most of the residents hadn’t noticed anything unusual although one had thought that he’d heard piano music a couple of evenings back. I asked what kind of piano music.