Back Whispers Under Ground
Chapters (44)
  1. Cover
  2. Title Page
  3. Epigraph
  4. Sunday
  5. 1. Tufnell Park
  6. Monday
  7. 2. Baker Street
  8. 3. Ladbroke Grove
  9. 4. Archway
  10. 5. The Barbican
  11. Tuesday
  12. 6. Sloane Square
  13. 7. Nine Elms
  14. 8. Southwark
  15. 9. Shepherd’s Bush Market
  16. Wednesday
  17. 10. Russell Square
  18. 11. Brixton
  19. 12. Barbican
  20. 13. Sloane Square
  21. Thursday
  22. 14. Westbourne Park
  23. 15. Bayswater
  24. 16. South Wimbledon
  25. 17. Bayswater
  26. Friday
  27. 18. Notting Hill Gate
  28. 19. Ladbroke Grove
  29. 20. Holland Park
  30. 21. Oxford Circus
  31. 22. Warren Street
  32. Saturday
  33. 23. Warren Street
  34. 24. Sloane Square
  35. 25. Ladbroke Grove
  36. Christmas Day
  37. 26. Sloane Square
  38. Boxing Day and Beyond
  39. 27. Tottenham Court Road
  40. 28. Biggin Hill
  41. 29. Mornington Crescent
  42. Acknowledgements
  43. Also by Ben Aaronovitch
  44. Copyright

‘No,’ said Huber. ‘I’d have organised that, had he asked, but he didn’t.’ He frowned and picked up one of the ‘later’ paintings. A woman’s face, pale, big-eyed, surrounded by purple and black shadow. Huber studied it, sighed and carefully replaced it with the others.

‘Mind you,’ he said. ‘He was certainly spending time elsewhere—’ He trailed off again. I waited a moment to see if there was more, but there wasn’t, before asking whether James Gallagher had a locker.

‘This way,’ said Huber. ‘It’s at the back.’

One of the bank of grey metal boxes was secured with a cheap padlock which I knocked off with a chisel I borrowed from a nearby studio. Huber winced as the padlock hit the floor but I think he was more worried about the chisel than the locker. I pulled on my latex gloves and had a look inside. I found two pencil cases, a brush wallet with half the brushes missing, a paperback with an Oxfam price sticker called The Eye of the Pyramid and an AtoZ. Inside the AtoZ was a flyer for an exhibition at the Tate Modern by an artist called Ryan Carroll. Sure enough the flyer had marked the appropriate page in the AtoZ with a pencil circle around the Tate Modern in Southwark.

Definitely planning to go, I thought – the grand opening of the show was listed for the next day. I made a note of the times, dates and names before bagging and tagging the locker contents. Then I used masking tape to secure the locker, gave my card to Mr Huber and headed for home.

I had to clear three centimetres of snow off my windscreen before I could do the twenty-minute drive back to the Folly and put the Asbo back in the safety of the garage. I braved the icy outside staircase to the upper floor of the coach house where I stash my TV, decent stereo, laptop and all the other accoutrements of the twenty-first century that rely on a connection to the outside world. This was because the Folly proper was imbued with mystical defences, not my terminology, that apparently would be weakened by running a decent cable in from the outside. I didn’t suggest a wifi network because I have my own problems with signal security and besides I like having somewhere mostly to myself.

I lit the paraffin heater that I’d found in the Folly’s basement after my electric fan heater blew out the coach house’s antique fusebox for the third time. Then I raided the emergency snack locker, made a mental note to buy some food for it and likewise either clean my small fridge or give up and declare it a biohazard. There was still coffee and half a packet of M&S genuinely biscuit-flavoured biscuits so I decided to finish off my paperwork before hitting Molly’s kitchen.