Chapters (36)
- Cover
- Where Late the Sweet Birds Sang
- Where Late The Sweet Birds Sang
- Introduction
- PART ONEWhere Late the Sweet Birds Sang
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- PART TWOShenandoah
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- PART THREEAt the Still Point
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Epilogue
A July haze hung over the valley, dimming outlines; heat shimmered the air above the fields. It was a day without hard edges. The breeze that moved through the valley was soft and warm. The corn was luxuriant, higher than a man's head. The wheat was golden brown, responsive to any change in the wind; the entire field moved at once, as if it were a single organism rippling a muscle, relieving tension perhaps. Beyond the corn the land broke and tumbled down to meet the river, which looked smooth and unmoving. The river was crystal clear, but from the second floor of the hospital, by a trick of the haze-filtered light, the water became rust-colored and solid, metal dulled by neglect.
Molly stared at the river and tried to imagine its journey through the hills. She let her gaze drift back toward the dock and the boat there, but trees concealed it from the upper floor of the hospital. There was a film of sweat on her face and neck. She lifted her hair from the back of her neck where some of it clung, plastered to her skin.
"Nervous?" Miriam slipped her arm about Molly's waist.
Molly rested her head against Miriam's cheek for a second, then straightened again. "I might be."
"I am," Miriam said.
"Me too," Martha said, and she moved to the window also, and put her arm through Molly's. "I wish they hadn't chosen us."
Molly nodded. "But it won't be for so long." Martha's body was hot against her, and she turned from the window. The apartment had been made from three adjoining hospital rooms with the partitions removed; it was long and narrow with six windows, and not one of them was admitting any breeze that late afternoon. Six cots lined the walls; they were narrow, white, austere.
"Let me do your hair now," Melissa called from the far end of the room. She had been combing and braiding her own hair for the past half hour, and she turned with a flourish. Dressed in a short white tunic with a red sash, corn-straw sandals on her feet, she looked cool and lovely. Her hair was high on her head; woven through it was a red ribbon that went well with the dark coil of braids. The Miriam sisters were inventive and artistic, the style setters, and this was Melissa's newest creation, which would be copied by the other sisters before the end of the week.
Martha laughed delightedly and sat down and watched Melissa's skillful fingers start to arrange her hair. An hour later when they left their room, walking two by two, they moved like a single organism and looked as alike as the stalks of wheat.