Back Where I End and You Begin
Chapters (37)
  1. COVER
  2. DEDICATION
  3. ONE
  4. TWO
  5. THREE
  6. FOUR
  7. FIVE
  8. SIX
  9. SEVEN
  10. EIGHT
  11. NINE
  12. TEN
  13. ELEVEN
  14. TWELVE
  15. THIRTEEN
  16. FOURTEEN
  17. FIFTEEN
  18. ONE MONTH LATER
  19. SIXTEEN
  20. SEVENTEEN
  21. EIGHTEEN
  22. NINETEEN
  23. TWENTY
  24. TWENTY-ONE
  25. TWENTY-TWO
  26. SEVEN YEARS AGO
  27. TWENTY-THREE
  28. THE PRESENT
  29. TWENTY-FOUR
  30. TWENTY-FIVE
  31. TWENTY-SIX
  32. TWENTY-SEVEN
  33. TWENTY-EIGHT
  34. TWENTY-NINE
  35. THIRTY
  36. ACKNOWLEDGMENTS
  37. DISCOVER MORE

“All right, my turn,” said Ziggy. He clapped his hands together and ran a Keanu Reeves hand through his Keanu Reeves hair. “Well, not to toot my own horn, but I’m doing what I wanted to do when I grew up. That is, operating dangerous machinery at school, hanging out with all you cool kids, and making some Shakespeare magic. And, not to be clichéd or anything, but my favorite Shakespeare is Hamlet. Can anyone quoth me some Hamlet?”

“To be, or not to be?” half a dozen kids muttered in unenthusiastic chorus.

“To be, or not to be?” said Ziggy. “The ultimate existential question. What most people don’t realize—people who only know that line out of context—is that Hamlet is contemplating suicide.”

Sebastian had whispered something to Daisy that made her laugh—something I had never seen her do before. At the words “contemplating suicide,” however, they both went silent.

“Now, a lot of people think Hamlet is just a whiny little tool,” said Ziggy, “but you need to understand where he’s coming from. His dad was murdered by his uncle. His mom has gotten remarried to that very same uncle! Who wouldn’t be upset? If you ask me, he has every right to complain—even if it’s just through the fourth wall to an unseen audience. At first, he’s listing off the pros and cons of death, and honestly, it’s mostly pros. He compares death to a ‘little sleep,’ which doesn’t sound so bad. But then he wonders: Do we dream when we’re dead? And if so, would they be bad dreams? Nightmares? The fact of the matter is that our existence after death is unknowable, and it’s that sense of the unknown that truly scares him. The only thing greater than that unknown is the inevitability of death. So, if we all die, does it matter when? Does it matter how? Does it matter if our life is taken by another human being? Are we merely prolonging the inevitable? Hamlet is asking the big questions, and he’s not just asking them for himself. If you ever get a chance to read his soliloquy, note that he never says ‘I’ or ‘me.’ Never. So, when he says ‘to be, or not to be,’ he’s talking about life itself. He’s asking whether or not people should exist.”

Ziggy interlocked his fingers. Stared infinitely at the floor, through an invisible portal in time.