He couldn’t really care about me. In fact, I didn’t want him to. He hadn’t known Greg and he didn’t know me, and if I suspected he was feeling real emotion about my loss, it would be creepy, as if I had caught him breaking into my house. So he was giving a performance, just well enough, and as I paged numbly through the brochure, it struck me that everyone I had dealt with had been performing as well. The coroner had been respectful and serious but he had finished in time for lunch; he might have gone straight to his club and laughed about the ridiculous case he had just heard or he might have forgotten about it and told dirty jokes, or gone back to his office alone and drunk whisky from a half-bottle in the bottom drawer of his desk. It didn’t matter. While sitting in the court he had played the role of coroner in the presence of a grieving widow. The policewomen had acted the way you act when you tell a wife that her husband has died. If they had been returning a lost cat to a little girl, they would have acted in the appropriate style for that. The registrar at the hospital had performed in the way you perform when a relative comes to view a body.

It couldn’t just be a matter of behaving according to their emotions because they couldn’t feel those emotions anymore, not when they had done it a hundred times. And why should the hundredth grieving family member not get the same treatment as the first? In reality, the hundredth probably gets better treatment than the first. When the emotion is real, you can’t handle it: it overflows and comes out in the wrong way. When it’s real, you’re not dignified and somber: you grin inappropriately and say the wrong thing and make awkward gestures.