Ayers had craned her neck to ogle the hotel rooms that lined the beach, each of them as luxurious and appealing as pearls on a string.

“I’m dying to stay here,” she said, then instantly regretted it. The champagne had gone right to her head.

“Guess you’ll have to wait for your banker to come back,” Mick said.

“Guess so,” she said lightly. Mick dipped a fritter in aioli and let the topic go. Maybe he was consciously avoiding a fight or maybe he wasn’t as jealous as he’d claimed to be. Maybe he was content to let the past be the past. Maybe he thought Baker Steele would never return to St. John. Maybe he thought he and Ayers could just continue their relationship where they’d left off, as though neither Baker nor Brigid had ever existed.

Ayers wasn’t so sure.

Huck leads Ayers to Rosie’s room and opens the door. Ayers has been in Rosie’s room only twice before, both times years ago. The first time was when they swung by after work so Rosie could change before they went dancing at Castaways. The other time, Rosie was at work and Ayers was off and Rosie had texted Ayers and begged her to grab her bottle of Percocet—she had just had all four wisdom teeth removed and was crying in pain. But that was it. They were grown women; they hung out in bars, not in each other’s bedrooms.

Ayers remembers, however, that while the rest of the house looked like it was shared by the protagonist of The Old Man and the Sea and the Little Mermaid (Huck and Maia), Rosie’s room was a sanctuary, cool and elegant, and it still is. The wallpaper is printed with pink hibiscus blossoms, and the hibiscus theme is echoed by a bush outside the open window. The queen-size bed has at least a dozen pillows artfully arranged against the rattan headboard. Rosie was a fastidious bed-maker, whereas Ayers sleeps in a tangle of sheets every night and sees absolutely no point in making a bed that she’s only going to climb right back into the next night. (Ayers gets a sudden vision of Rosie folding napkins at La Tapa. She was careful and precise in the task, like she was doing origami.)

Against the wall is a large teak bureau; over it hangs a giant, round silver-framed mirror. The door to the closet is closed tight. The only personal touches that Ayers can see are a trio of framed photographs in one corner and a copy of Jane Eyre on the nightstand. Rosie was a sucker for the classics, especially the novels of Edith Wharton, George Eliot, and the Brontë sisters, and it was nearly impossible to get her to read anything contemporary, though she and Ayers had made a deal: Ayers would read Middlemarch if Rosie would read Eat, Pray, Love. (Ayers hadn’t kept her end of the bargain, which she feels awful about now.)