Back Under a Dancing Star
Chapters (51)
  1. Cover
  2. Praise for Laura Wood
  3. Dedication
  4. Part One: England
  5. Chapter One
  6. Chapter Two
  7. Chapter Three
  8. Part Two: Villa di Stelle
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. Chapter Eight
  14. Chapter Nine
  15. Chapter Ten
  16. Chapter Eleven
  17. Chapter Twelve
  18. Chapter Thirteen
  19. Chapter Fourteen
  20. Chapter Fifteen
  21. Chapter Sixteen
  22. Chapter Seventeen
  23. Chapter Eighteen
  24. Part Three: Villa di Stelle
  25. Chapter Nineteen
  26. Chapter Twenty
  27. Chapter Twenty-One
  28. Chapter Twenty-Two
  29. Chapter Twenty-Three
  30. Chapter Twenty-Four
  31. Chapter Twenty-Five
  32. Chapter Twenty-Six
  33. Chapter Twenty-Seven
  34. Chapter Twenty-Eight
  35. Part Four: Florence
  36. Chapter Twenty-Nine
  37. Chapter Thirty
  38. Chapter Thirty-One
  39. Chapter Thirty-Two
  40. Part Five: Villa Di Stelle
  41. Chapter Thirty-Three
  42. Chapter Thirty-Four
  43. Chapter Thirty-Five
  44. Chapter Thirty-Six
  45. Chapter Thirty-Seven
  46. Chapter Thirty-Eight
  47. Chapter Thirty-Nine
  48. Chapter Forty
  49. Epilogue: England
  50. Acknowledgements
  51. About the Author

“Hello,” a voice calls and I turn in my seat to see two figures moving towards us. One is a boy, lean, dark-haired and dark-eyed, who walks with a swagger. He is perhaps a year or two older than me, and as he steps forward to shake my hand he gives me a slightly crooked and perfectly charming smile. I notice that he has a small beauty mark at the corner of his mouth.

“Ah, Signora Bea,” he says and his voice is warm and low, with a subtle Germanic accent. “I am delighted to meet you at last. Hero has told us so much about you.” He nods to Hero who is gazing at him with worship writ large in her eyes.

“I am Klaus,” he continues and I realize he is still holding my hand. He lets go of it, but slowly, as though he regrets having to do so. It’s a practised move, I think, as smooth as a beeswax-polished floor. “And this” – Klaus gestures to the girl beside him – “is Ursula, my sister.”

Ursula nods coolly. She is beautiful in an intimidating sort of way, with her brother’s dark hair and dark eyes and a wide, sulky mouth painted with a slash of red lipstick. She is several inches shorter than me and slim as a reed. Her hair is cut into a short, severe bob, the strands at the front tickling against her high cheekbones. Her emerald-green dress clings lovingly to her body, making me feel woefully unsophisticated.

Klaus accepts a drink from my uncle and pulls up the chair beside mine, shuffling it so that we are sitting close enough that our arms brush lightly against each other. Ursula drops into a seat beside Filomena.

“So,” Klaus says, “you are from England. Is it true that all those English country houses are haunted?”

I look into his laughing eyes and find myself telling him stories about the hen-hearted ghosts at Langton who seem only to appear in front of the most susceptible ninnies, and the scrapes that Eustace the dog has been in.

Hero then demands a retelling of the toad story and I follow this up with an admission of several other well-played pranks.

As we are talking, several other people drift over and join the party: two older men who sit in a corner, arguing in low tones and making dramatic gestures at one another; a willowy blonde girl with an air of extreme cultivated fragility; and a woman about the same age as Filomena with bronze skin and her hair tucked into a red turban, who carries herself with a liquid grace. More artists who have stumbled into the haven created by Filomena.