Back Under a Dancing Star
Chapters (51)
  1. Cover
  2. Praise for Laura Wood
  3. Dedication
  4. Part One: England
  5. Chapter One
  6. Chapter Two
  7. Chapter Three
  8. Part Two: Villa di Stelle
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. Chapter Eight
  14. Chapter Nine
  15. Chapter Ten
  16. Chapter Eleven
  17. Chapter Twelve
  18. Chapter Thirteen
  19. Chapter Fourteen
  20. Chapter Fifteen
  21. Chapter Sixteen
  22. Chapter Seventeen
  23. Chapter Eighteen
  24. Part Three: Villa di Stelle
  25. Chapter Nineteen
  26. Chapter Twenty
  27. Chapter Twenty-One
  28. Chapter Twenty-Two
  29. Chapter Twenty-Three
  30. Chapter Twenty-Four
  31. Chapter Twenty-Five
  32. Chapter Twenty-Six
  33. Chapter Twenty-Seven
  34. Chapter Twenty-Eight
  35. Part Four: Florence
  36. Chapter Twenty-Nine
  37. Chapter Thirty
  38. Chapter Thirty-One
  39. Chapter Thirty-Two
  40. Part Five: Villa Di Stelle
  41. Chapter Thirty-Three
  42. Chapter Thirty-Four
  43. Chapter Thirty-Five
  44. Chapter Thirty-Six
  45. Chapter Thirty-Seven
  46. Chapter Thirty-Eight
  47. Chapter Thirty-Nine
  48. Chapter Forty
  49. Epilogue: England
  50. Acknowledgements
  51. About the Author

“Yes, I can imagine,” I say. “It must be difficult, especially with what’s going on politically. The fascists aren’t precisely welcoming of anyone they consider different. Though my uncle seems quite excited about his meeting with Mussolini,” I add dryly.

“I’ve heard him say that fascism is the future,” Ben says.

“I’m sure he believes it,” I say, “but I don’t think he understands the real cost. Look at what’s happening in Germany. Look at Ursula and Klaus. If you ask me, Mussolini is a dangerous man.”

Ben leans back in his seat. “You may be right,” he says. “You’ll meet plenty of people in the next couple of days who share that opinion.”

I glance over. “But not you?” I ask.

Ben shrugs. “I care about my work,” he says. “I’m no fan of Mussolini, God knows. But I know plenty who are, and some of those people are likely to be the ones who can help me work.” He frowns briefly and then his face clears. “All of this political fuss will probably come to nothing; the world will go back to normal. It’s the work that will last.”

The rest of the journey passes companionably enough. I ask Ben about some of the art we will see, and his face lights up as he describes the colours and textures, the genius of the old masters and the startling, vibrant works of the new. I like listening to him talk about it; he makes it all come alive for me. In return, I pull out the detailed itinerary I have made of all the museums that I want to visit, detailing the collections at the natural history museum, telling him about the plants at the botanical gardens.

“It’s the third oldest in Europe,” I say excitedly. “It was established in 1545 by a Medici, Ben… A Medici!”

“Everything in Florence was founded by a Medici,” Ben says. “And you’ve missed off some of the best places.”

“How will we do it all?” I ask despairingly.

“We’ll manage,” Ben says. “I promise, you won’t miss anything on your preposterous list.”

When we reach the station Ben climbs down the steps and hold his hands up for the bags. Our eyes meet, and I grin, remembering how we first met. Ben grimaces, which I think means he is remembering it too.

No one has come to meet us, but Ben says there would be no point – he knows where he’s going and they’ll all be waiting at the house anyway. The station is heaving, full of people shouting and shoving at each other. Parts of the impressive new structure are still covered in scaffolding but above us soars a great glass roof.

“More of Il Duce’s improvements,” Ben says, gesturing around us.

“It’s certainly very modern,” I say, looking around at the imposing building.