Chapters (38)
- Title Page
- Copyright Page
- Dedication
- Acknowledgements
- Chapter 1 - Wednesday afternoon, April 6, 1988
- Chapter 2
- Chapter 3 - DEBORAH UNRUH
- Chapter 4 - Thursday morning, April 7, 1988
- Chapter 5
- Chapter 6 - DEBORAH UNRUH
- Chapter 7 - Thursday afternoon, April 7, 1988
- Chapter 8
- Chapter 9 - WALKER MCNALLY
- Chapter 10 - Friday, April 8, 1988
- Chapter 11
- Chapter 12 - WALKER MCNALLY
- Chapter 13 - Monday, April 11, 1988
- Chapter 14
- Chapter 15 - JON CORSO
- Chapter 16 - Wednesday, April 13, 1988
- Chapter 17
- Chapter 18 - JON CORSO
- Chapter 19 - Wednesday afternoon, April 13, 1988
- Chapter 20
- Chapter 21 - DEBORAH UNRUH
- Chapter 22 - Thursday night, April 14, 1988
- Chapter 23 - Friday afternoon, April 15, 1988
- Chapter 24 - WALKER MCNALLY
- Chapter 25 - Monday, April 18, 1988
- Chapter 26
- Chapter 27 - JON CORSO
- Chapter 28 - Wednesday afternoon, April 20, 1988
- Chapter 29 - WALKER MCNALLY
- Chapter 30 - Wednesday evening, April 20, 1988
- Chapter 31 - JON CORSO
- Chapter 32 - Thursday, April 21, 1988
- Chapter 33 - Thursday, April 21, 1988
- EPILOGUE
He handed in what he’d done, and sat, as he always did, feigning nonchalance while he waited for Mr. Snow’s response. This time he read several of the pages twice and then flipped through the whole of it, frowning.
Jon said, “You don’t like it.”
“It’s not that. I don’t know what to say. I mean, there’s nothing really wrong here. The prose is serviceable. You lean toward the melodramatic, but it doesn’t play because the setup is manufactured. You think the setting is stark, but it comes off as syrupy instead. Do you know anything about the South? Have you ever even been there?”
“I was using my imagination. Isn’t that the point?”
“But why this? You’re talking about five or six dogs and I can’t tell one from the other. Okay, one has yellow eyes and another one has a rough coat. You’re giving me characteristics, not characters. Even if you write about dogs you have to differentiate. That’s where conflict comes from. Then you have this kid with no personality at all, which is a tough proposition given the situation you’ve put him in. Where’s Jon Corso in this? As far as I know, what you describe here bears no relation to your life or your problems or your hopes or your dreams. Wait, maybe I should ask this first. Have you ever run with a pack of dogs?”
“Not recently,” he said, trying to be flip. The criticism stung. Mr. Snow was blunt and he didn’t pull his punches. Jon felt himself shrink, but Mr. Snow wasn’t done.
“You’re writing out of your head. There’s no heart. You understand what I’m saying? This is verbiage, empty sentences. Blah, blah, blah doesn’t mean anything to you and it sure as shit doesn’t mean anything to me.”
“Is there a way to fix it?”
“Sure. Here’s a quick fix. Toss it out and start somewhere else. You keep your reader at arm’s length when you should be writing from your gut. That’s the point of fiction, the connection between reader and writer. This is crap. You manage to make it look like a story, but you’re just going through the motions. I want to see the world as you see it. Otherwise, a monkey could sit down and bang this stuff out.”
“Well, that’s bullshit. You said I could write anything I want and then you tear it apart.”