Snapshots tell a story, not always in obvious ways but taken as a whole. Faces appear and disappear. Relationships form and fall apart. Our social history is recorded in photographic images. Maybe someone had captured a moment that would speak to the issue. I sat on the bed and picked through the pictures, smiling at the photos of people I recognized. Some I could still name. Stanley, Edgar, and Mildred. I blanked on Stanley’s wife’s name, but I knew the five of them played card games—canasta and pinochle. The kitchen table would be littered with ashtrays and highball glasses, and they’d all be laughing raucously.

I found shots of two single women I remembered—Delpha Prager and one named Prinny Rose Something-or-other. I knew Aunt Gin had worked with Delpha at California Fidelity Insurance. I wasn’t sure where she’d met Prinny Rose. I studied their photos, with Aunt Gin and without, in groups where one or the other appeared. If there were secret smiles between them, surreptitious glances that might have been picked up on camera, I couldn’t see the signs. I suppose I’d imagined arms thrown over one another’s shoulders, hands slightly too close together on a tabletop, an intimate look or gesture neither was aware she’d revealed. I didn’t see anything even remotely suggestive. In point of fact, there wasn’t a single view of Aunt Gin making physical contact with anyone, which was confirmation of a different kind. She was not a touchy-feely person.

I did marvel at how young she looked. While I was growing up, she was passing through her thirties and forties. Now I could see she was pretty in a way I hadn’t seen before. She was slender. She favored glasses with wire frames and she wore her hair pulled up in a bun that should have looked old-fashioned, but was stylish instead. She had high cheekbones, good teeth, and warmth in her eyes. I’d thought of her as schoolmarmish, but there was no evidence of it here.

I came to an envelope sealed with tape so old and yellow it had lost its sticking power. On the outside she’d written MISCELLANEOUS 1955 in the bold cursive I recognized. My interest picked up. I withdrew an assortment of snapshots. I appeared in the first few photographs, age five, my expression bleak. I was small for my age, all bony arms and legs. My hair was long, bunched up on the sides where bobby pins held the strands back. I wore droopy skirts and brown shoes with white socks that sagged. By that Christmas I’d been living with her for six months or so, and apparently I’d found nothing to smile about.