Wednesday afternoon I took Cabana Boulevard up the hill to Seashore Park, a city-owned stretch of palm trees and grass that skirts the bluff overlooking the Pacific. That morning I’d called Michael and asked him to meet me there. In my shoulder bag I had the file folder of clippings about Keith Kirkendall and copies of the photographs his sister had given me the day before. My body hummed with dread, but there was no avoiding the conversation. I couldn’t bear to lay the revelation at his feet, but there was no escape.

The day was sunny and the air mild with scarcely any breeze at all. While I waited I walked the length of the chain-link fence that had been erected to prevent citizens from tumbling off the cliff. The drop to the ocean below was a good sixty feet. At high tide, the surf concealed the rocks. At low tide, the rocks were laid bare. Either way, a fall would be fatal. Looking down I could see the telltale muddy plume where a sandbar had formed, and the waves were breaking differently from how they did a hundred yards on each side. Most people think of the effluence as a riptide, but the proper term is “rip current.” Tides are the function of the moon’s gravitational pull. A rip current is a treacherous outflow that runs in a narrow line perpendicular to the beach, sometimes extending as far as twenty-five hundred feet. The term “undertow,” used to describe the same phenomenon, is a misnomer as well. A rip current moves along the surface of the water, a function of the hidden shape of the shore itself. This one, like the rip current that swept Sutton’s mother to her death, was an artifact of the same attempt by the city engineers to create a safe harbor where there was none before. As with so much in life, good intentions often generate unexpected results.

I heard Sutton’s MG approaching long before I saw him pull into the small parking lot. He had the top down and his hair had been whipped into an untidy thatch that he smoothed as he stepped out of the car. He wore a sweatshirt and shorts, and the sight of his knobby knees nearly broke my heart. As before, I was struck by his youthfulness. When he was fifty instead of twenty-six, he’d look the same. I couldn’t picture him portly or bald. I couldn’t picture him with heavy jowls or a double chin. As he aged, his face would shrink away from his skull, but it would otherwise retain its boyish cast.