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Chapters (67)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. PART ONE
  5. CHAPTER I
  6. CHAPTER II
  7. CHAPTER III
  8. CHAPTER IV
  9. CHAPTER V
  10. CHAPTER VI
  11. CHAPTER VII
  12. CHAPTER VIII
  13. CHAPTER IX
  14. EXEUNT I
  15. PART TWO
  16. CHAPTER I
  17. CHAPTER II
  18. CHAPTER III
  19. CHAPTER IV
  20. CHAPTER V
  21. CHAPTER VI
  22. CHAPTER VII
  23. CHAPTER VIII
  24. CHAPTER IX
  25. CHAPTER X
  26. CHAPTER XI
  27. CHAPTER XII
  28. EXEUNT II
  29. PART THREE
  30. CHAPTER I
  31. CHAPTER II
  32. CHAPTER III
  33. CHAPTER IV
  34. CHAPTER V
  35. CHAPTER VI
  36. CHAPTER VII
  37. CHAPTER VIII
  38. EXEUNT III
  39. PART FOUR
  40. CHAPTER I
  41. CHAPTER II
  42. CHAPTER III
  43. CHAPTER IV
  44. EXEUNT IV
  45. PART FIVE
  46. CHAPTER I
  47. CHAPTER II
  48. CHAPTER III
  49. CHAPTER IV
  50. CHAPTER V
  51. CHAPTER VI
  52. EXEUNT V
  53. PART SIX
  54. CHAPTER I
  55. CHAPTER II
  56. CHAPTER III
  57. EXEUNT VI
  58. ADDENDUM
  59. APPENDIX I
  60. APPENDIX II
  61. APPENDIX III
  62. APPENDIX IV
  63. AFTERWORD & ACKNOWLEDGMENTS
  64. Also by Christopher Paolini
  65. A Conversation between Brandon Sanderson and Christopher Paolini
  66. ABOUT THE AUTHOR
  67. Newsletter Sign-up

CP: How do you manage—it’s easy for editing to feel like it’s an attack on yourself, your ego. You’ve created something you care about deeply, and now here are people—whose advice you’ve solicited—who are telling you every single thing they think you did wrong. How do you keep a sense of success through that process?

BS: My beta readers know to talk about what they like, also. Cause, it feels like getting punched in the face.

CP: Yup.

BS: But a good editor knows to periodically tell you what they like as well. You get this carrot and stick sort of thing. But your mind is going to naturally ignore it, it’s going to gravitate to the one-star reviews. It is rough. But, I asked for this, and I know it’s going to make the book better. I wrote thirteen books before I sold one—and when I actually started selling was when I started listening to feedback, and learning how to take it.

CP: As Stephen King says, “No one gets it right the first time.” We all edit, we all revise—what’s the saying in the military? “Embrace the suck.” Go toward the hardest bit because that’s how you get better.

CP: You’re coming up on the fourth book of the Stormlight Archive coming out—is this the end of the first cycle of the series?

BS: Yeah. It’s really two five-book series, but ten is so mythologically important to the books that I had to call it a ten-book series. There will be some character continuity between the two series, but I kind of have them very separate in my mind. I’m coming to the first ending.

CP: And, how does that feel? Where are you at with it?

BS: The Stormlight Archive will be the defining series of my career. It’ll be the longest, and the one I’ve spent the most time on. If I’m going to be finishing the next six books of this, and doing them every three years, there’s twenty more years of writing on this series. It’s inseparable from what I wanted to do with fantasy. This is where I set out to carve my space in the genre. I’m on a very long journey to finish. Each of those five books have things built into them, in my original outline, which I’m really excited to share with the readers. There are secrets and character moments, and big set pieces that I’ve designed now for twenty years, which I finally get to write when I write each book.

CP: [delighted laughter]

BS: I’m looking forward to people finally being able to read it.

CP: You told me the final scene! Was it for the Stormlight Archive or for the Cosmere as a whole?