Chapters (53)
- Title page
- Dedication page
- Contents
- Acknowledgements
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Chapter Seven
- Chapter Eight
- Chapter Nine
- Chapter Ten
- Chapter Eleven
- Chapter Twelve
- Chapter Thirteen
- Chapter Fourteen
- Chapter Fifteen
- Chapter Sixteen
- Chapter Seventeen
- Chapter Eighteen
- Chapter Nineteen
- Chapter Twenty
- Chapter Twenty-One
- Chapter Twenty-Two
- Chapter Twenty-Three
- Chapter Twenty-Four
- Chapter Twenty-Five
- Chapter Twenty-Six
- Chapter Twenty-Seven
- Chapter Twenty-Eight
- Chapter Twenty-Nine
- Chapter Thirty
- Chapter Thirty-One
- Chapter Thirty-Two
- Chapter Thirty-Three
- Chapter Thirty-Four
- Chapter Thirty-Five
- Chapter Thirty-Six
- Chapter Thirty-Seven
- Chapter Thirty-Eight
- Chapter Thirty-Nine
- Chapter Forty
- Chapter Forty-One
- Chapter Forty-Two
- Chapter Forty-Three
- Chapter Forty-Four
- Chapter Forty-Five
- Chapter Forty-Six
- Chapter Forty-Seven
- By Ann Cleeves
- Copyright page
George nodded and she disappeared again. They heard her speaking in the other room, but this time she’d closed the door and they couldn’t make out the individual words. Sandy thought that he should go. He wanted to tell Jimmy Perez what he’d discovered, and he’d promised Mary Lomax that he’d only be away for an hour.
He got to his feet just as Grusche returned to the kitchen. ‘They say they want to walk and anyway they don’t know when they’ll be done. They haven’t finished eating yet.’ She frowned. ‘I hope they take care. We want no more tragedies here.’ She flashed a sudden smile at Sandy. ‘We mothers worry too much. You wait until you have your own child, Sandy. You’ll understand then.’
Out in his car he saw that he had a missed call from Perez. There was a voicemail: ‘We need to track down Monica Leaze, Sandy. There’s been a development and we’ll stay here for a while, though we’d like to get back to Unst this evening. Can you book us onto the last ferry from Yell?’
Sandy tried to phone back, but there was no reply. He drove to Springfield House. The fog was patchy and cleared occasionally to let bright shafts of sunshine light up the hills. Outside the hotel he paused, thinking about the girl who’d lived there, who’d led such a short and troubled life.
Chapter Thirty-Eight
Chapter Thirty-Eight
Perez stared at the sketch of the woman on the easel in Monica Leaze’s loft. Eleanor Longstaff was captured in pencil. Of course she looked like the body he’d seen in the tiny lochan, but this wasn’t an exact representation. He felt just as he’d felt when he’d heard the child on Eleanor’s recorder singing Peerie Lizzie’s song: that there was a discrepancy, something not quite right. He continued to look at it and for a while found it hard to believe that the artist who’d made the disturbing and detailed interiors he’d seen with Fran in the gallery had sketched this too. Then he remembered that Leaze had also painted the little girl in the white dress and thought there was something similar in the tone of both figures. A jauntiness and a sense of mischief, which seemed almost blasphemous now. It was as if the artist was pleased that Eleanor was dead, was amused by the murder.
He became aware of Willow standing behind him. ‘We have to talk to the woman,’ she said. ‘She must have seen Eleanor’s body. At the very least she’s a witness.’
Perez was about to contradict her, but stopped himself. At this point nothing was certain. Instead he went for a mild observation. ‘There doesn’t seem to be water in the background.’