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Chapters (53)
  1. Title page
  2. Dedication page
  3. Contents
  4. Acknowledgements
  5. Chapter One
  6. Chapter Two
  7. Chapter Three
  8. Chapter Four
  9. Chapter Five
  10. Chapter Six
  11. Chapter Seven
  12. Chapter Eight
  13. Chapter Nine
  14. Chapter Ten
  15. Chapter Eleven
  16. Chapter Twelve
  17. Chapter Thirteen
  18. Chapter Fourteen
  19. Chapter Fifteen
  20. Chapter Sixteen
  21. Chapter Seventeen
  22. Chapter Eighteen
  23. Chapter Nineteen
  24. Chapter Twenty
  25. Chapter Twenty-One
  26. Chapter Twenty-Two
  27. Chapter Twenty-Three
  28. Chapter Twenty-Four
  29. Chapter Twenty-Five
  30. Chapter Twenty-Six
  31. Chapter Twenty-Seven
  32. Chapter Twenty-Eight
  33. Chapter Twenty-Nine
  34. Chapter Thirty
  35. Chapter Thirty-One
  36. Chapter Thirty-Two
  37. Chapter Thirty-Three
  38. Chapter Thirty-Four
  39. Chapter Thirty-Five
  40. Chapter Thirty-Six
  41. Chapter Thirty-Seven
  42. Chapter Thirty-Eight
  43. Chapter Thirty-Nine
  44. Chapter Forty
  45. Chapter Forty-One
  46. Chapter Forty-Two
  47. Chapter Forty-Three
  48. Chapter Forty-Four
  49. Chapter Forty-Five
  50. Chapter Forty-Six
  51. Chapter Forty-Seven
  52. By Ann Cleeves
  53. Copyright page

Perez had persuaded Annie, the next-door neighbour, to stay in her own house and keep a lookout for them. ‘We wouldn’t want to shock Monica, if she were to turn up and find strangers in her home.’ He’d given her one of his special smiles and a card with his mobile number on it. Now the woman was glued to the window with the card in one hand and her phone in the other, feeling an essential part of the investigation. Willow wondered again what his magic was, how he managed to win people over. Perhaps it was something as simple as kindness. She would have been more brutal and would have told the woman to keep out of the way.

The key turned easily in the lock and they stood in a kitchen that had been updated as cheaply as possible, with chipboard worktops coated in a mock-granite plastic veneer. A Formica table had been folded against one wall. On the floor wood-effect laminate. Willow had already pulled on a pair of gloves and opened the fridge. An unopened bottle of supermarket Chablis, a packet of butter and half a dozen eggs. Which pretty well mirrored the contents of her own fridge, even when she was living at home. But she had a Sainsbury’s just down the road and could shop every day.

‘Looks as if she’s cleared out most of the perishable things. Must have planned to be away for a while.’

The bin had been emptied. In the larder there were shelves of tins, olive oil, packets of pasta and rice, but there were no vegetables in the rack standing below the shelves. Monica was an organized woman, who hadn’t left in a hurry. Perez stood in the middle of the room and seemed to be sniffing the atmosphere.

The living room was small and square. There was a post-war utility dining table, polished but scratched, again folded against one wall, a sofa and a television. An electric fire stood in what had once been an open fireplace. A postcard showing a picture of the Tower of London stood on the mantelpiece next to a bright-green china frog. Perez turned the postcard over to look at the message on the back and held it out for Willow to read.

See you soon, followed by a line of kisses. No name. The postmark was blurred. The address was M. Leaze c/o North Light Gallery, Yell. Willow wondered if that meant Monica was attempting to keep her home address secret. Various reasons suggested themselves: a bitter divorce had resulted in an abusive husband stalking her; debt; a desire for space and privacy.

On the sofa a line of red plush cushions had been arranged in meticulous order. The carpet was nasty and nylon. Willow wondered how an artist could live here, even on a temporary basis, and said as much to Perez.