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Chapters (53)
  1. Title page
  2. Dedication page
  3. Contents
  4. Acknowledgements
  5. Chapter One
  6. Chapter Two
  7. Chapter Three
  8. Chapter Four
  9. Chapter Five
  10. Chapter Six
  11. Chapter Seven
  12. Chapter Eight
  13. Chapter Nine
  14. Chapter Ten
  15. Chapter Eleven
  16. Chapter Twelve
  17. Chapter Thirteen
  18. Chapter Fourteen
  19. Chapter Fifteen
  20. Chapter Sixteen
  21. Chapter Seventeen
  22. Chapter Eighteen
  23. Chapter Nineteen
  24. Chapter Twenty
  25. Chapter Twenty-One
  26. Chapter Twenty-Two
  27. Chapter Twenty-Three
  28. Chapter Twenty-Four
  29. Chapter Twenty-Five
  30. Chapter Twenty-Six
  31. Chapter Twenty-Seven
  32. Chapter Twenty-Eight
  33. Chapter Twenty-Nine
  34. Chapter Thirty
  35. Chapter Thirty-One
  36. Chapter Thirty-Two
  37. Chapter Thirty-Three
  38. Chapter Thirty-Four
  39. Chapter Thirty-Five
  40. Chapter Thirty-Six
  41. Chapter Thirty-Seven
  42. Chapter Thirty-Eight
  43. Chapter Thirty-Nine
  44. Chapter Forty
  45. Chapter Forty-One
  46. Chapter Forty-Two
  47. Chapter Forty-Three
  48. Chapter Forty-Four
  49. Chapter Forty-Five
  50. Chapter Forty-Six
  51. Chapter Forty-Seven
  52. By Ann Cleeves
  53. Copyright page

By the time they arrived in Yell, Sandy had an address for them. Monica Leaze lived in Cullivoe, not too far from where the ferry came in. They turned off the main road and ahead of them the evening sky was red like flames, as if the sea was on fire. Everything was still. The banks on each side of the road were wild with flowers and grasses, the colours intense in the strange evening light. Willow was driving; she was too tense and fidgety to be a passenger.

When they found the house it was undistinguished, grey and small, a little ugly. There was no land attached, apart from a small square garden at the front, separated from the neighbour’s by a slatted wooden fence. There were other, newer homes along the same road. A couple were squat bungalows and the rest were Norwegian kit houses in coloured wood. Willow pulled the car into a passing place and they climbed out. Outside Monica’s front door stood a couple of terracotta pots, one containing mint and the other rosemary, but the lawn was overgrown. Willow opened the gate and knocked at the door.

No reply. Looking through the window, Perez thought the living room was too tidy. There was a Sunday paper neatly folded on a small table, but from the headline he could tell that it was at least a fortnight old. The cushions were piled symmetrically on the couch. It was oddly impersonal. No indication that an artist had lived here. No drawings on the wall. No paints. He stepped back a couple of paces and looked at the roof. There were Velux windows cut into the tiles, so perhaps Monica worked in the room in the attic.

An elderly woman was bringing in washing next door. She stood with a plastic basket at her feet, folding the clothes, but her eyes were fixed on the visitors. At last curiosity got too much for her and she came up to the fence. ‘Can I help you?’ She was all bone. Her face seemed to have been sculpted by the weather.

‘We’re looking for Monica Leaze.’

‘Nobody’s there. I haven’t seen her for a couple of weeks. She comes and goes, though. It’s more like a holiday place for her. I’m told she still has a house in London.’

Perez approached her. She’d probably respond better to his voice than to Willow’s. ‘Do you look after the place when she’s away?’

‘She never asked.’ Perez sensed there was no love lost between the neighbours. Had Monica, tense and anxious and used to the anonymity of the city, resented the intrusion of a bored, elderly woman? ‘Who are you?’

‘We’re police,’ he said. ‘Investigating the murders in Meoness.’