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Chapters (63)
  1. Title Page
  2. Copyright Page
  3. CONTENTS
  4. Foreword to The Cullen Collection
  5. Introduction to There and Back
  6. 1. Bookbinder and Son
  7. 2. Brother and Sister
  8. 3. Simon Armour
  9. 4. A Lost Shoe
  10. 5. The Library
  11. 6. Alice
  12. 7. Mortgrange
  13. 8. Barbara Wylder
  14. 9. Mrs. Wylder
  15. 10. Barbara and Her Critics
  16. 11. The Parson’s Parable
  17. 12. The Rime of the Ancient Mariner
  18. 13. The Beginning
  19. 14. Wingfold
  20. 15. Far From Home
  21. 16. A Sister
  22. 17. Barbara and Lady Ann
  23. 18. Alice and Barbara
  24. 19. Barbara Thinks
  25. 20. Wingfold and Barbara
  26. 21. The Shoeing of Miss Brown
  27. 22. Vixen
  28. 23. Barbara’s Duty
  29. 24. The Parson’s Counsel
  30. 25. Lady Ann
  31. 26. Dismissal
  32. 27. The Wylders
  33. 28. London
  34. 29. Nature
  35. 30. A Drunken Disclosure
  36. 31. To Be Redeemed, One Must Redeem
  37. 32. A Door Opened in Heaven
  38. 33. Doors Opened on Earth
  39. 34. Death the Deliverer
  40. 35. The Cave in the Fire
  41. 36. Duck Fists
  42. 37. Baronet and Blacksmith
  43. 38. Revelation
  44. 39. The Bookbinder’s Heritage
  45. 40. Stepmother
  46. 41. Flight
  47. 42. Gone
  48. 43. Uncle-Father and Aunt-Mother
  49. 44. A Meeting
  50. 45. Wylder Hall
  51. 46. Miss Brown
  52. 47. Wingfold and Barbara
  53. 48. The Will
  54. 49. The Heir
  55. 50. Wingfold and Arthur Manson
  56. 51. Richard and His Family
  57. 52. Heart-to-Heart
  58. 53. The Quarrel
  59. 54. Baronet and Blacksmith
  60. 55. The Funeral
  61. 56. The Packet
  62. 57. Barbara’s Dream
  63. ENDNOTES

* For the texts of the books of the series, and quotes referenced from them, I have preserved most British spellings. In my introductions, when I am speaking for myself, I use American spellings. In quoting from other books and authors, I obviously retain the usage of the original source.

Speaking further on my own behalf, there are some half-dozen instances in the titles of The Cullen Collection where I have exercised somewhat greater editorial latitude in my handling of MacDonald’s original texts. These have taken two primary forms. One, in certain cases I have added a “Prologue” or “Epilogue” where I felt a bit of introductory setting-the-scene would introduce the flow of the story more smoothly, or, in the case of the latter, wrap up the story a little more satisfactorily. These are clearly indicated as my additions. In the second instance (which includes this title,) I have rearranged MacDonald’s chapter sequence in order (from my perspective) to open the narrative and establish the story on a smoother and more fluid foundation. This is one of the advantages (some may consider it a drawback!) of the fact that I also wear an “author’s” hat. I am not merely an editor/redacter. I am also a novelist. I think as both an editor and an author. I cannot entirely turn off that side of my creative psyche. Nor do I want to. I believe that being an author of both fiction and non-fiction helps immeasurably in my thoughtful attempt to get inside MacDonald’s creative psyche, and then represent and interpret and restructure his writings as I feel he might were he writing for today’s audience. Whether I do so in every case effectively, of course, will be in the eye of the beholder. In any event, notwithstanding the objections that will surely be voiced, this is what I have done.

Introduction to There and Back

* Photograph, 1891.

† Anacosm—“Throughout/between the worlds” or perhaps “the world anew/throughout/inside.”

* So significant do I consider this principle in MacDonald’s calculus of spirituality that I made it the first and foundational of the nine primary truths identified in my small booklet, George MacDonald’s Spiritual Vision: An Introductory Overview.

Note

* Oddly, this dedication did not appear in the one-volume U.K. editions, though continued to appear in U.S. editions. The note about the dream, however, persisted in all editions.—MP

1. Bookbinder and Son

* Image from cover of 1891 Kegan Paul one-volume edition.

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