Back The Wishing Game
Chapters (66)
  1. PREFACE
  2. Full Page Image
  3. ONE
  4. TWO
  5. One week ago
  6. THREE
  7. Present day
  8. FOUR
  9. FIVE
  10. SIX
  11. SEVEN
  12. EIGHT
  13. NINE
  14. TEN
  15. ELEVEN
  16. TWELVE
  17. THIRTEEN
  18. FOURTEEN
  19. FIFTEEN
  20. SIXTEEN
  21. SEVENTEEN
  22. EIGHTEEN
  23. NINETEEN
  24. TWENTY
  25. TWENTY-ONE
  26. TWENTY-TWO
  27. TWENTY-THREE
  28. TWENTY-FOUR
  29. TWENTY-FIVE
  30. TWENTY-SIX
  31. TWENTY-SEVEN
  32. TWENTY-EIGHT
  33. TWENTY-NINE
  34. THIRTY
  35. THIRTY-ONE
  36. THIRTY-TWO
  37. THIRTY-THREE
  38. THIRTY-FOUR
  39. THIRTY-FIVE
  40. THIRTY-SIX
  41. THIRTY-SEVEN
  42. THIRTY-EIGHT
  43. THIRTY-NINE
  44. FORTY
  45. FORTY-ONE
  46. FORTY-TWO
  47. FORTY-THREE
  48. FORTY-FOUR
  49. FORTY-FIVE
  50. FORTY-SIX
  51. FORTY-SEVEN
  52. FORTY-EIGHT
  53. FORTY-NINE
  54. FIFTY
  55. FIFTY-ONE
  56. FIFTY-TWO
  57. FIFTY-THREE
  58. FIFTY-FOUR
  59. FIFTY-FIVE
  60. FIFTY-SIX
  61. FIFTY-SEVEN
  62. FIFTY-EIGHT
  63. FIFTY-NINE
  64. SIXTY
  65. SIXTY-ONE
  66. SIXTY-TWO

There's a marked difference between the carefree Thea I knew outside of Aperion and the one now, and her words only serve to reinforce the fact that she's entirely unhappy about being back home. She's also remarkably quiet for someone who's always chatting about this and that.

I don't speak either, not wanting to intrude. But that doesn't mean I'm not sad about it, and I wonder if there's something I can do to help her.

Releasing a deep sigh, I turn my attention to the road, taking in our surroundings.

Now that we're out of the popular area, there are fewer and fewer people walking around. Every now and then, I see carriages being drawn around by something akin to a horse, but with the body of a human.

The suns climb up the sky, hitting their highest point and suggesting we've been walking for a while. Yet the capital is still nowhere near. The tall towers remain a dot on the horizon, and the more we venture out of the previous town, the more derelict the buildings by the side of the road look.

There are houses, but they're in poor shape. They are made of thin brown wood, and they all seem to be a similar size—a one-bedroom. The design is the same for the entire row, and that makes me wonder if these were not built by the state—otherwise, who would go for the exact model?

People go about their day, working on their gardens or drying their clothes in their yards. The families aren't small, certainly too big for a one-bedroom, but it quickly becomes clear this intermediary area isn't particularly well-off.

Isn't it hypocritical that a godly realm would have such poverty? When one thinks of deities, there's a rather romanticized version of perfection—not only are they powerful, but they are also wise and well-intended.

The evidence in front of me speaks of the opposite. The treatment of s’Aperiotes as the scourge of society makes it even more clear that nothing is perfect here.

Despite Thea's assurances that this is a meritocracy, I don't see it. How could it be when s’Aperiotes are never even given a chance? The upper echelons intermarry and preserve their wealth, powers, and status, creating new gods and new Supremes, while the others are stuck in a continuous cycle of suffering.

It's. Not. Fair.

Maybe as a human, I'd gotten used to life being unfair from the moment I was born. Everyone knows there's no such thing as a utopia of fairness. Yet humans still hope for one—they still cling to the belief that one day, that could be achievable. But how could that be when gods themselves ascribe to discrimination and unfairness?