Back The Wedding Dress Maker
Chapters (60)
  1. The Wedding Dress Maker
  2. Also by Leah Fleming
  3. The Wedding Dress Maker
  4. Copyright Page
  5. Dedication
  6. Contents
  7. 1
  8. A Wednesday Afternoon in May 1949
  9. Early on Friday Morning
  10. September 1937
  11. May 1949, Friday
  12. September 1939
  13. May 1949, Friday
  14. Dressing Miss Forsyth, June 1942
  15. May 1949, Friday
  16. 2
  17. Rae, 1944
  18. Summer 1944
  19. May 1949, Friday
  20. August 1944
  21. May 1949, Friday
  22. Ten Days in March 1945
  23. On The Tenth Day, 1945
  24. May 1949, Friday at Noon
  25. Park Royal, Spring 1945
  26. May 1949, Saturday Morning
  27. 3
  28. Snapshots from The Royal, 1945
  29. May 1949, Saturday Morning
  30. Hogmanay, 1945
  31. A Secret Outing
  32. Saturday, Midday on Shap Fell, 1949
  33. 4
  34. February 1946
  35. Nothing To Write Home About, March 1946
  36. Homeward Bound, July 1946
  37. Saturday Afternoon in Kendal, 1949
  38. 5
  39. In the Winter of 1947
  40. The Texas Rangers, Autumn 1947
  41. Spring 1948
  42. Saturday Teatime in Kendal, 1949
  43. 6
  44. Dancing on the Green, Summer 1948
  45. Showdown
  46. Christmas 1948
  47. Window Shopping in Kendal, May 1949
  48. 7
  49. Into 1949
  50. Forks in the Path, March 1949
  51. Late Afternoon in Kendal, May 1949
  52. 8
  53. The Same Saturday Afternoon at Brigg Farm
  54. Staying On, June 1949
  55. 9
  56. Back to Griseley, June 1949
  57. On Carrick Sands, September 1949
  58. Acknowledgements
  59. Author the Author
  60. An Invitation from the Publisher

Ideas were thrown backwards and forwards. The difficulty of obtaining good material was only a problem until the mother offered her own lace wedding dress, packed away in mothballs somewhere, to be used as the base of the gown. It was duly sent for and examined carefully for stains and rot.

Then, in the privacy of Stratharvar House, the bride-to-be was measured from top to toe against the size of the old dress. ‘I think we’ll have enough if the bride promises me to take her dogs on plenty of walks,’ Vida whispered to Netta. ‘All brides shed pounds before the big day. I pray she’ll be no exception.’ Vida knew it would be a tight squeeze otherwise!

Netta watched as she separated all the precious material and spread it on the table. ‘See, child, you must always shape the fabric to the body, sculpt it carefully to enhance – not conceal but glorify the wearer. We must work in cheap cotton first, make a toile and shape it round the bride before we cut all this cloth. There’s no margin for error. Next we make the pattern to fit her body. Only then will I take the scissors to this cloth.’

Vida fussed and fretted over the first fitting until everyone was faint from standing still. She draped and redraped it until she was satisfied then sewed up the toile into a shape and fitted it over Aileen. Netta had pressed the old material carefully to gain as many extra inches from its generous seams as possible, working to the dressmaker’s principle: ‘Press after every move… and when in doubt, press again.

‘We build like the fortress on the shore,’ laughed Vida. ‘First the inner layer and then the outer fabric – the cut of the gown is its foundation. It must be as beautiful on the inside as it is on the outside. No skimping. This lace is flimsy and needs support or it will tear and pucker in the wrong places.’

Peg watched the process, sniffing at all the palaver. ‘Why couldna the lassie just wear her mother’s dress?’

‘Because it’s Aileen’s special day and she wants her own dress!’ snapped Netta impatiently.

‘The girl speaks the truth, Mistress Nichol. A remake of an old dress can still look fresh and original. A well-fitted traditional gown will make Miss Forsyth into a beautiful bride. And a bride must feel good on her special day, don’t you think?’ Vida Bloom was trying to be tactful.