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Chapters (60)
  1. The Wedding Dress Maker
  2. Also by Leah Fleming
  3. The Wedding Dress Maker
  4. Copyright Page
  5. Dedication
  6. Contents
  7. 1
  8. A Wednesday Afternoon in May 1949
  9. Early on Friday Morning
  10. September 1937
  11. May 1949, Friday
  12. September 1939
  13. May 1949, Friday
  14. Dressing Miss Forsyth, June 1942
  15. May 1949, Friday
  16. 2
  17. Rae, 1944
  18. Summer 1944
  19. May 1949, Friday
  20. August 1944
  21. May 1949, Friday
  22. Ten Days in March 1945
  23. On The Tenth Day, 1945
  24. May 1949, Friday at Noon
  25. Park Royal, Spring 1945
  26. May 1949, Saturday Morning
  27. 3
  28. Snapshots from The Royal, 1945
  29. May 1949, Saturday Morning
  30. Hogmanay, 1945
  31. A Secret Outing
  32. Saturday, Midday on Shap Fell, 1949
  33. 4
  34. February 1946
  35. Nothing To Write Home About, March 1946
  36. Homeward Bound, July 1946
  37. Saturday Afternoon in Kendal, 1949
  38. 5
  39. In the Winter of 1947
  40. The Texas Rangers, Autumn 1947
  41. Spring 1948
  42. Saturday Teatime in Kendal, 1949
  43. 6
  44. Dancing on the Green, Summer 1948
  45. Showdown
  46. Christmas 1948
  47. Window Shopping in Kendal, May 1949
  48. 7
  49. Into 1949
  50. Forks in the Path, March 1949
  51. Late Afternoon in Kendal, May 1949
  52. 8
  53. The Same Saturday Afternoon at Brigg Farm
  54. Staying On, June 1949
  55. 9
  56. Back to Griseley, June 1949
  57. On Carrick Sands, September 1949
  58. Acknowledgements
  59. Author the Author
  60. An Invitation from the Publisher

At sixteen she still had a schoolgirl’s romantic notions about marriage to a man in uniform. The only boy in her life was Arnie who tagged along the shore with her friends and lectured them about rock formations. She towered over him in height and thought of him still as a little boy tied by an invisible thread to his doting mother. One tug and he jumped like a puppet. He was not allowed to mix with the rough and tumble village boys and always stayed in to practise his music – which was perhaps as well for the local louts shouted names at him whenever he appeared by Netta’s side.

Aileen Forsyth was well-upholstered, bonny but buxom. It would be easy for her to roll down the aisle looking like a couch on castors. ‘Why doesn’t Aileen ask Mrs Bloom to sew something for her?’ Netta whispered to Peg. Vida was earning a little from doing alterations and dressmaking but Netta knew she was capable of far more than that. ‘Tell Mrs Forsyth that Vida once worked in a great fashion house in London, making evening gowns from silks and tulle and handsewing sequins and beads on bodices. You did, didn’t you?’

Vida blushed and bent her head. ‘It feels like a lifetime ago… yes, I did train to do embroidery but where would I get such stuff to sew nowadays? No one wants that sort of thing here. It’s far too expensive.’

‘Take no notice of Netta, she’s always had her head full o’ dreams!’ Peg ignored the information and left the two of them to their chores.

‘You could make Aileen a wonderful dress, I know it,’ pleaded Netta, but the little woman shook her head sadly.

‘Those days are long gone, Netta. It’s a sad world out there and how could I make such a garment on my own?’

‘I could help you, be your assistant. It would make a change from schoolbooks and farm work. I’m sick of mucking out and feeding stock; pumping water from the well into the tank. You could teach me to do the easy bits. Go on, please? And you did say you wanted to pay for extra music lessons for Arnold. Let me ask them?’

So it was Netta who approached Stratharvar House by the grand gravelled drive and spoke to Aileen herself, suggesting she discuss her requirements with their evacuee. Two days later the Forsyths descended on Brigg Farm, demanding to see Vida Bloom and examine her work.

‘A good dressmaker wears her shop on her back,’ said Mrs Forsyth, peering at the little woman in her neat, well-tailored black dress.

Vida cleared the table and brought out a sketchpad. ‘What exactly had you in mind?’